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Our cameras and lenses allow you to create films with rich colours and crisp details whilst our latest cloud based workflows and IP solutions ensure you and your team stay connected so you can bring your stories to life. Whether you’re a DoP, documentary maker, a reporter or an explorer filming your journey, you’ll have the image quality your story needs - and the workflow and connectivity tools to save, edit and share it.

Thank you for joining Sony’s VENICE in Venice Experience! 🇮🇹 Co-organised with CSC- Centro Sperimentale di Cinematografi...
08/09/2026

Thank you for joining Sony’s VENICE in Venice Experience! 🇮🇹
 
Co-organised with CSC- Centro Sperimentale di Cinematografia, a masterclass in immersive art was followed by a cinematography masterclass with DP Francesco Di Giacomo , nominated at the 83rd Venice International Film Festival for ”Succederà questa notte”, directed by Nanni Moretti and shot on VENICE 2.
 
The evening concluded with a cocktail reception – the perfect opportunity to connect and share experiences and get a hands on with the RIALTO MINI and FX5 at the demo area.

📸: Leonardo Paniccia

Shinya Tsukamoto | Mr. Nelson, Did You Kill People? | FX3“Since we needed to shoot efficiently within a short period of ...
05/09/2026

Shinya Tsukamoto | Mr. Nelson, Did You Kill People? | FX3

“Since we needed to shoot efficiently within a short period of time, we needed cameras that were small and lightweight, while still capable of delivering the image quality we were looking for. The three-camera setup was ideal for capturing the moment without missing anything, both during action scenes and in the indoor performances by the actors.”

Congratulations to the team behind ‘Mr. Nelson, Did You Kill People?’ For their nomination at the ongoing Venice Film Festival!

Rob Murray | Costa Rica: Into the Rainforest | FX5 “Wildlife is one of the toughest environments for any camera. Animals...
04/09/2026

Rob Murray | Costa Rica: Into the Rainforest | FX5
 
“Wildlife is one of the toughest environments for any camera. Animals rarely move when expected, and often you only have seconds to react. In dense rainforest, fast pans through trees can easily reveal rolling shutter issues.
 
“One of the first things I noticed with the new FX5 was the confidence it gave me when following unpredictable movement. Whether tracking spider monkeys through the canopy or birds taking flight, I wasn’t thinking about the camera’s limitations. I could simply respond to the behaviour as it happened.
 
“For wildlife filmmaking, that matters enormously. Behaviour only happens once, and removing technical barriers lets you focus on storytelling.”

Rob Murray is an award-winning (including Jackson Wild nominee) Wildlife Cinematographer and self shooting Producer-Director. He has worked alongside some of the best in the industry, including Oscar-winning Director James Reed (My Octopus Teacher), and Panda award-winning Executive Producer Wolfgang Knoepfler (The Ivory Game).

Watch the full film and learn more at the link in bio. 
 

03/09/2026

“A lot of people in our industry are like me, they remember watching Star Wars as a kid and watching a spaceship rumbling over their head and just wanting to make that thing - this production has been an opportunity to do that.”

⁃ Tim Varlow, VFX Supervisor

The International Space Station has been hurtling around Earth at 17,000 mph since the first module was place into orbit in 1998. Inhabited for 25 years since the first crew arrived onboard the ISS, Blink Films marked the occasion by producing a feature-length documentary showing the challenges of living in space – and turned to the Sony VERONA alongside the VENICE 2 and VENICE Extension System Mini to put audiences in the heart of space.

From air leaks to docking disasters, technical glitches to malfunctioning spacesuits, the documentary Space Station: We Have a Problem uncovers how the astronauts that have lived on the space station have kept it operational, delivering extraordinary science, through their brilliance and bravery.

Watch the full case study at the link in bio.

02/09/2026

Jonny Rhodes | Substrate | FX5
 
“I was immediately impressed with how versatile the FX5 is. Having several features from the VENICE, BURANO and FX cameras but in a mirrorless sized body will make this a tool I’ll be planning future productions around. 

“Sony’s new compressed versions of X-OCN, C1 & C2 are also exceptional. We now have the ability to record 16-bit 4:4:4 Linear RAW internally without the heavy storage demands.

“Overall, being able to capture exceptional imagery, in efficient file sizes, whilst using a mirrorless sized camera truly feels like a meaningful step forward in Sony’s Cinema Line of cameras!”
 
Jonny Rhodes on capturing Substrate using the FX5’s open gate functionality. 
 

BURANO v4 release date confirmed! 🚨Firmware Version 4.0 will include:✅ Support for X-OCN ST✅ Support for control in Mult...
02/09/2026

BURANO v4 release date confirmed! 🚨

Firmware Version 4.0 will include:

✅ Support for X-OCN ST
✅ Support for control in Multi Camera System (MCS) using the MSU and CNA-2
✅ Support for OpenTrackIO

Update available from May 2027 or later.

Learn more at the link in bio.

Venice Film Festival seminar announcement! 🚨Virtual Production, Visual Effects, AI & Production DesignA New Convergence ...
01/09/2026

Venice Film Festival seminar announcement! 🚨

Virtual Production, Visual Effects, AI & Production Design

A New Convergence for Visual Storytelling and Immersive Experiences
⏰ Saturday, 5 September 2026 – from 13:30 to 14:30
📍 Hotel Excelsior / Spazio Incontri

Speakers
🗣️ Stefano Leoni, Visual Effects Supervisor, EDI / HAI
🗣️ Massimo Germoglio, Teacher & Virtual Production Supervisor

Moderator
🎙️ Anna Doublet, Virtual Production and Immersive Manager, Sony Europe BV

Register at the link in bio.

La Biennale di Venezia EDI Effetti Digitali Italiani

Join Sony’s VENICE in Venice Masterclass! * Masterclass: Immersive Art - from 15:00 to 16:30* Cinematography Masterclass...
28/08/2026

Join Sony’s VENICE in Venice Masterclass!
 
* Masterclass: Immersive Art - from 15:00 to 16:30
* Cinematography Masterclass - from 18h A not-to-be-missed event with cinematographer Francesco Di Giacomo, nominated at the 83rd Venice International Film Festival, who will share insights about his work on Succederà questa notte, from Nanni Moretti shot on VENICE 2.
 
The evening will conclude with a cocktail reception – the perfect opportunity to connect and share experiences. We will also have a demo area with the RIALTO MINI and the FX5 at the festival.
 
Date: Thursday, 3 September 2026 
Location: San Servolo Island
 
Register at the link in bio.

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Evento VENICE in Venice 

Esclusivo evento organizzato da Sony in collaborazione con la Scuola Nazionale di Cinema del Centro Sperimentale di Cinematografia, in occasione della Mostra del Cinema di Venezia.

Giovedì 3 settembre
Luogo: Isola di San Servolo

- Masterclass: Immersive Art - dalle ore 15:00 alle 16:30
- Masterclass di Cinematografia - dalle 18:00. Il direttore della fotografia Francesco Di Giacomo, candidato all’83ª

Mostra Internazionale d’Arte Cinematografica di Venezia, condividerà il suo punto di vista sul lavoro realizzato per Succederà questa notte, di Nanni Moretti, girato con VENICE 2.

La serata si concluderà con un cocktail occasione ideale per incontrarsi. Durante il festival sarà inoltre presente un’area demo con RIALTO MINI e la FX5.

Registrati al link in bio.

La Biennale di Venezia 

27/08/2026

Learn more about X-OCN… 🧠

Previously limited to high-end cinema cameras like the VENICE and the BURANO, the FX5 introduces internal 16-bit X-OCN RAW recording with two newly developed, highly compact compressed codec options named X-OCN C1 and X-OCN C2, alongside the existing X-OCN LT format. Understand X-OCN, how it works, and why it gives you more flexibility from capture to final image, with the help of Malcolm Modele!

Watch the full tutorial at the link in bio.

Ruben Scott | Different But Same | FX5“For me, the FX5 worked because it gave us so much freedom: freedom to capture wha...
26/08/2026

Ruben Scott | Different But Same | FX5

“For me, the FX5 worked because it gave us so much freedom: freedom to capture what we wanted without compromise, freedom to play around with the image in post, and freedom to keep the focus on the story rather than the equipment or any technical difficulties. That’s really what I look for in a camera.”

Learn more at the link in bio.

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