Robin Friend Studio

Robin Friend Studio Bespoke framing, fine art printing and contemporary photography, made from my studio in The Needlemakers in Lewes.

I work with artists, collectors, galleries and interior projects, producing carefully finished frames, prints and artworks.

Hay Bales, hanging in the living room of interior designer Beata Heuman Beata Heuman There are now just two remaining fr...
10/09/2026

Hay Bales, hanging in the living room of interior designer Beata Heuman Beata Heuman
There are now just two remaining from the edition of seven.

Photographed on a farm in Kent, the image turns something ordinary into something sculptural: pink hay bales stacked into a pyramid, with colour and form doing all the talking.

75 × 60 inches / 190.5 × 152.4 cm
Edition of 7

Archival pigment print on Hahnemühle Photo Rag Baryta, printed by me in the studio in Lewes.

Available through my website — link in bio. Please send me a message if you would like any further details.

02/09/2026
Really excited to be showing new work from The Autophagy of Us as part of Artwave with 204 and Half Collective.This will...
01/09/2026

Really excited to be showing new work from The Autophagy of Us as part of Artwave with 204 and Half Collective.

This will be the first opportunity to see the new language I’ve been developing between photography and sculptural work in wood.

5 to 20 September
Venue 125
The Soap Factory
Phoenix Place, North Street, Lewes BN7 2QJ

Let me know if you can make it and I’ll make sure I’m there to take you through the work :)

Me and the kiddos visiting the shipwreck a few weeks back. They were so excited to go on it in the flesh. I’d been promi...
31/08/2026

Me and the kiddos visiting the shipwreck a few weeks back. They were so excited to go on it in the flesh. I’d been promising them for ages we’d do it!

I made this photograph in North Wales whilst studying at the RCA.Around that time I visited dozens of old abandoned mine...
02/06/2026

I made this photograph in North Wales whilst studying at the RCA.

Around that time I visited dozens of old abandoned mines in this area, drawn to these strange, difficult places where the act of making a photograph felt uncertain and physical.

Photography itself seemed to be shifting quite quickly then, somewhere between analogue and digital, and the process was becoming easier, faster, more accessible.

I remember really enjoying the opposite of that: the challenge of trying to make a picture in almost no light, using light itself as the main material. It felt slow, awkward and unpredictable, which was probably exactly why I liked it.

And now, of course, we have AI, another shift entirely. It makes me think again about what it means to make an image, and where the difficulty, the accident, and the human hand still belong.

Address

Needlemakers
Lewes
BN72NZ

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