Eleanor Macnair

Eleanor Macnair Photographs rendered in Play-Doh I have a simple, naïve love of photography and I hope this is reflected in this series. It’s my strange tribute to photography.

Photographs Rendered in Play-Doh started on a whim in August 2013 following a photo pub quiz run by artists MacDonaldStrand in Brighton. One of the rounds was to make a reproduction of a famous photograph using Play-Doh. It is said that you only need one good idea in life. I didn’t have one so, in the spirit of post-modern re-appropriation, I used MacDonaldStrand’s idea. My tools are amateur. Play

-Doh, a chopping board, a scalpel and an empty wine bottle as a rolling pin. The work is accessible, easy and inexpensive to make. The audience is wide and the whole project is a testament to the democracy of the internet

After I’ve finished a work I shoot it and take it apart, returning the Play-Doh to respective colour pots to re-use. The orange background in the Man Ray became the dead leaves in the Alec Soth, the pocket handkerchief in the Seydou Keita and the hair in the William Eggleston. The works no longer exist, they become ephemeral, and I’m usually the only one who has ever seen them in their 3-dimensional state. The photographs here are all that remain. I never said it was serious. They are what they are. Photographs Rendered in Play-Doh.

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