19/08/2026
Averted
Part of an ongoing self-portrait series concerned with visibility, scrutiny, and the terms under which we let ourselves be looked at.
There's a particular kind of vulnerability in painting your own face.
Most portraiture asks for confrontation — eye contact as proof of presence. This one refuses it.
I've been thinking about the difference between being seen and being watched. A direct gaze can feel like an offering; an averted one can feel like a boundary.
Oil on linen board - 30x40cm