Wendi Schneider Art

Wendi Schneider Art luminous, mercurial works on kozo & vellum illuminated with precious metals Her photographs have been exhibited and published internationally.

Wendi Schneider (b. 1955, Memphis, Tennessee) is an American artist based in Denver, Colorado. She is widely recognized for her ongoing series States of Grace, a body of hand-gilded photographs that explore light, materiality, and the transcendence of the natural world. Drawing inspiration from the sinuous elegance of organic forms, Schneider creates luminous impressions of flora and fauna that ho

ver between presence and impermanence. Through the layering of photographic imagery, color, texture, and precious metals, her works generate subtle optical shifts, activating the surface as light reflects off gold leaf and transforms perception. Schneider studied painting and art history at Stephens College and Newcomb College at Tulane University. Her engagement with photography began in the early 1980s, initially as a tool for documenting references for her paintings. Immersed in the alchemy of the darkroom, she began layering paint directly onto photographic prints, developing a hybrid process that blurred the boundaries between representation and abstraction. This early experimentation established the conceptual and technical foundation for her later gilded works. After recreating the 1901 Picayune’s Creole Cook Book for The Times-Picayune newspaper, Schneider moved from New Orleans to New York City in 1988, where she launched a diverse career that included fine art commissions and photography for magazines, book covers, and advertising. Following her relocation to Denver in 1994, she expanded her practice to include design and art direction, continuing to work with photography for clients while maintaining an intermittent studio practice. In 2012, she returned fully to sustained studio work, initiating a body of photographs centered on flora and fauna—the inception of States of Grace, which has since become her signature series. Schneider’s work is held in the permanent collections of the Asheville Art Museum; the Center for Creative Photography; the New Orleans Museum of Art; the Memphis Brooks Museum of Art; the Museum of Fine Arts, Houston; and the Auburn University Library Special Collections, among others.

Una Vista dal Tetto (A Rooftop View), Florence, 2023�Pigment ink on kozo over 18k gold leaf, 2025�One in a variable edit...
06/06/2026

Una Vista dal Tetto (A Rooftop View), Florence, 2023�Pigment ink on kozo over 18k gold leaf, 2025�One in a variable edition of five
16.5 x 24.5

During my stay in Florence, illness limited movement, drawing my attention to the views immediately around me. From the rooftop of Villa Cora, the city unfolded beyond a tapestry of gardens, villas, and distant hills bathed in soft Tuscan light.

Printed on Japanese kozo and gilded with 18k gold leaf, the luminous surface echoes the warmth of the late afternoon landscape. The work is presented in an antique frame whose rich patina extends the atmosphere of the image beyond its edges.

Currently on view in ‘Held Light’ at A Gallery For Fine Photography in New Orleans through August 1. Wendi Schneider

Il Giardino Serale (The Evening Garden), Florence, 2023Pigment ink on kozo over 24k gold leaf, 2026Captured from the gar...
05/31/2026

Il Giardino Serale (The Evening Garden), Florence, 2023
Pigment ink on kozo over 24k gold leaf, 2026

Captured from the gardens surrounding Villa Cora in Florence, where illness and stillness narrowed my world for a time, the image became less about place than immersion — a quiet surrender to layered foliage, fading light, and the restorative presence of trees.

Printed on Japanese kozo and gilded with 24k gold leaf, the surface shifts gently as ambient light moves across it, echoing the lingering glow of evening within the garden. The work is housed in a gorgeous antique frame dating to circa 1910, whose flowing lines and warm patina extend the atmosphere of the image beyond its edges.A unique variant, it measures 28 1/2 × 37.

Currently on view in ‘Held Light’ at A Gallery For Fine Photography in New Orleans.

Ponte San Barnaba, Venice, 2023Pigment ink on kozo over 18k gold leaf, 2024Antique frameLight gathers along the surface—...
05/22/2026

Ponte San Barnaba, Venice, 2023
Pigment ink on kozo over 18k gold leaf, 2024
Antique frame

Light gathers along the surface—
held in the quiet passage of water and stone.

Subtly influenced by Alvin Langdon Coburn’s The Bridge, Venice from Camera Work, the image leans toward atmosphere over description, where reflection becomes form.

Printed on Japanese kozo and gilded in 18k gold, the surface shifts gently as light moves across it. The antique frame echoes the architecture within, extending the work’s sense of time and presence.

Each print is a unique variant.

From 'Held Light'
Available through A Gallery For Fine Photography, New Orleans. Inquiries welcome.

A new unique variant of ‘Sera Riflessi’ from ‘Held Light.'Venice, 2023pigment ink on kozo over 18k gold leafin an Arts &...
05/20/2026

A new unique variant of ‘Sera Riflessi’ from ‘Held Light.'

Venice, 2023
pigment ink on kozo over 18k gold leaf
in an Arts & Crafts period frame
2/10, small edition, 2026

The warmer tone of 18k gold deepens the reflections into something quieter and more atmospheric—light dissolving into water, architecture becoming rhythm and shimmer. The period frame’s softened lines echo the movement within the image, allowing the work to feel suspended somewhere between photograph and impression.

Wendi Schneider is an American artist creating impressions of vanishing grace in our vulnerable environment illuminated with gold leaf.

Hope to see you tonight at RedBrick Center for the Arts!
06/05/2025

Hope to see you tonight at RedBrick Center for the Arts!

I’m delighted to head soon to Memphis, my home town, for Dixon Gallery & Garden’s ‘Hot off the Wall’ event Monday, Octob...
10/10/2024

I’m delighted to head soon to Memphis, my home town, for Dixon Gallery & Garden’s ‘Hot off the Wall’ event Monday, October 14th and so honored to be included!

This event is for Hot Spot ticket purchasers for Dixon’s ‘Art on Fire’ celebration on October 19th. I will not be able to stay for the event on the 19th, but do plan to spend time at Dixon on Tuesday, October 15th. The exhibition will be open to public that day and regular business hours throughout the run of the exhibition.

I’m excited to meet the artists at ‘Hot Off the Wall’ and hope to see some of my Memphis friends! Let me know if you plan to attend the event or to stop by on the 15th when I’ll be exploring the gorgeous gardens.

Gardenia, 2011 - pigment ink on vellum over white gold leaf from my ‘States of Grace’ series, 2/10, 2016

Dixon Gallery and Gardens

I’m so honored that ‘Locust’ from ‘States of Grace’ was chosen by the  from the last three International Photography Exh...
08/08/2024

I’m so honored that ‘Locust’ from ‘States of Grace’ was chosen by the from the last three International Photography Exhibitions for inclusion in the exhibition at the Fox Talbot Museum at Lacock Abbey .

‘‘The IPE is the longest-running photography exhibition in the world so taking elements of recent editions to the Home of Photography, is very special. This reinforces the strong relationship between the RPS and the National Trust’s Lacock Abbey, the family home of William Henry Fox Talbot, an honorary Fellow of the RPS, whose experiments saw the birth of the basis of photography in Britain.’ - Dan Jones, CEO of the RPS.

The International Photography Exhibition has been held almost every year since 1854 and is the longest running exhibition of its kind in the world. In the early years, the exhibition included work from some of the world’s most eminent photographers including Julia Margaret Cameron, Roger Fenton, Edward Steichen and Paul Strand.

It was at Lacock Abbey where Fox Talbot made the first paper negative - a window at Lacock.

I will share more information as it becomes available and hope to make the journey. Congratulations to each of the artists whose works were chosen!

https://rps.org/news/bristol/2024/june/ipe-travels-to-lacock/

Locust, 2016 - pigment ink on vellum over white gold leaf, AP

I'm honored and delighted to reprise my role as juror for the upcoming exhibition 'In Honor of Trees' at PhotoPlace Gall...
06/17/2024

I'm honored and delighted to reprise my role as juror for the upcoming exhibition 'In Honor of Trees' at PhotoPlace Gallery.
Deadline for entries is July 15. I can't wait to see your interpretations - all photographic processes welcome.
For details and submissions:
https://photoplacegallery.com/online-juried-shows/in-honor-of-trees/detail

Golden Boughs, 2013

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Denver, CO

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