10/01/2026
Want that cinematic red-and-teal nighttime look? 📸 Here’s the process I used to take this shot from a pretty standard night photo to the final edit.
Start with your basic settings first. Get your exposure, contrast, highlights, shadows, whites, and blacks where you want them. Think of this as building the foundation before touching the color.
From there, the rest doesn’t necessarily need to happen in a specific order. Experiment and see what works for YOUR image.
Use the RGB curves to shape the contrast and start introducing color into the shadows and highlights.
Jump into the Color Mixer and work primarily with luminance and saturation. I left the hues alone for this edit and used luminance to control which colors stood out or disappeared.
Then comes one of the biggest parts of this look: Color Calibration. I pushed the Red Primary heavily to transform those warm lamps into the deep, glowing reds you see in the final image. 🔴
I also added linear gradient masks from the top and bottom with additional dehaze. This helped control the edges of the frame and draw more attention toward the entrance.
There was a car blocking a huge portion of the original shot, so I used Generative Remove to clean it out. Probably could’ve saved myself some time and done that earlier 😂
Next, I used Object Selection to isolate the entrance, duplicated that mask and inverted it. That gave me independent control over the subject and everything surrounding it so I could shape the light and contrast instead of making global adjustments.
Finally, I played with tint and the individual red and green curves until the colors landed where I wanted them.
The important part: don’t treat these settings like a preset. Lighting, exposure and color are different in every photo. Use the slides as a starting point, then experiment until the image feels right.
Save this for the next time you’re editing night photography. 📌
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📍Lawrenceville The Abbey on Butler