Geoffrey Squier Silver Photography

02/18/2026

11/19/2025

“On November 19, 1863, about fifteen thousand people gathered in Gettysburg for the dedication ceremony. A program of music and prayers preceded Everett’s two-hour oration. Then, after another hymn, Lincoln stood up to speak. Packed in the midst of a sea of frock coats, he began. In his high-pitched voice, speaking slowly, he delivered a two-minute speech that redefined the nation.

“Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal,” Lincoln began. While the southern enslavers who were making war on the United States had stood firm on the Constitution’s protection of property—including their enslaved Black neighbors—Lincoln dated the nation from the Declaration of Independence.

The men who wrote the Declaration considered the “truths” they listed to be “self-evident”: “that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” But Lincoln had no such confidence. By his time, the idea that all men were created equal was a “proposition,” and Americans of his day were “engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure.”

Standing near where so many men had died four months before, Lincoln honored “those who here gave their lives that that nation might live.”

He noted that those “brave men, living and dead, who struggled here, have consecrated” the ground “far above our poor power to add or detract.”

“It is for us the living,” Lincoln said, “to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced.” He urged the men and women in the audience to “take increased devotion to that cause for which they gave the last full measure of devotion” and to vow that “these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth.””
~Heather Cox Richardson
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11/09/2025

She inherited $116 billion from Walmart. Then she did something unexpected.

Alice Walton didn't build an empire. Her father Sam Walton did that—creating Walmart and making the Walton family the richest in America.

What Alice inherited was a choice: What do you do with more money than you could spend in a thousand lifetimes?

While her brothers Jim and Rob took seats on Walmart's board, focusing on the family business, Alice walked a different path.
Born in 1949 in Newport, Arkansas, Alice grew up watching her father build Walmart from a single store into a retail giant. The family's wealth grew exponentially. By the time Sam Walton died in 1992, he'd left his children a fortune that would eventually be worth hundreds of billions.

Alice's inheritance gave her something rare: absolute freedom to pursue any vision without financial constraint.

She chose art.
Not collecting for private enjoyment. Not building a vanity project. Something bigger.
In 2011, Alice opened the Crystal Bridges Museum of American Art in Bentonville, Arkansas—a world-class museum in a town of 50,000 people, miles from any major city.
The museum houses works by Norman Rockwell, Georgia O'Keeffe, Andy Warhol, and Jackson Po***ck. Collections that would typically live in New York, Chicago, or Los Angeles.

But here's what makes it different: admission is free. Forever.

Alice's vision was simple but radical—world-class art shouldn't require living in a major city or having money. Culture should be accessible to everyone, especially in communities that rarely see it.

She invested over $1.2 billion of her inheritance into making that vision real.

The museum has welcomed over 6 million visitors since opening. School groups from rural Arkansas, Oklahoma, and Missouri come to see masterpieces their teachers only showed them in textbooks.

Critics initially dismissed it as a billionaire's hobby. But it's become something more—a genuine cultural anchor for a region often overlooked by the art world.

More recently, Alice directed her resources toward another ambitious project: the Alice L. Walton School of Medicine, which opened in 2024.

The school focuses on training doctors for underserved rural communities—addressing the physician shortage that plagues areas like northwest Arkansas. Students pay no tuition for their first four years.

Alice's story isn't a rags-to-riches tale. She didn't build her wealth. She inherited every dollar.

But here's what's worth examining: Given unimaginable inherited wealth, what do you build?

Some billionaires buy yachts, sports teams, or islands. Some focus on multiplying their billions. Some do nothing at all.

Alice chose to invest in culture and education in places where both are scarce.

Does that erase criticisms of Walmart's labor practices or the broader questions about wealth inequality? No.

Does inherited wealth automatically make someone's philanthropy less meaningful? That's for each person to decide.

But there's something valuable in asking: If you inherited more money than you could ever need, what would you build?

Would you hoard it? Multiply it? Or try to create something that outlasts you?

Alice Walton chose museums and medical schools. She chose to put world-class art in small-town Arkansas. She chose to train doctors for communities that desperately need them.

Her wealth is inherited. Her privilege is undeniable. But her choices created institutions that will serve people long after she's gone.

$116 billion can buy almost anything. Alice Walton is using hers to buy access—to art, to education, to healthcare—for people who wouldn't otherwise have it.

That's not a perfect story. But it's a real one.
And it raises a question worth asking: What would you do with a fortune you didn't earn?
Because how we answer that question—about privilege, responsibility, and legacy—says everything about what we value.

Alice Walton's answer was: Build something others can experience.

Make beauty accessible. Make education affordable. Make impact lasting.

She didn't build her fortune. But she's choosing to build with it.

That choice matters.

10/19/2025

📷 & ART ARTcar Rocket Car by David Best

09/18/2024

Burning Man 2024

05/30/2024

Yellowstone 2024

01/04/2024

Final Show of the 2023 White Album Christmas 12 show run at the Alberta Rose Theater. The NowWhere band PDX and Rose City sold out all twelve shows. It is always the highlight of the holiday season when the NowWhere Band plays the entire Beatles White Album while the cream of Portland performers demonstrate their prowess.