Matt Ower Imaging

05/11/2025

By far the wettest LA shoot in memory with Nike &

Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)

2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
EV tracking vehicle


ytc

16/01/2025

MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.

X

SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO FOR THE SUPPORT.

MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER:

PRODUCTION:
EP: MIKE PRALL
PRODUCER:
PM:
DIRECTOR:
DP:
AC: .ALONE
SOUND: ROBYN HUEY
COLOR:
EDIT:

26/11/2024

COPPER KETTLE NZ

Copper Kettle | Pepsi Co. NZ

Directed by
Camera Assistant :
Color & Online:
Equipment Support:

It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.

A collection of frames that I enjoyed most from Jason’s story.

One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!

I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from

I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.

08/11/2024

14/08/2024

🇺🇸 American Dream off to a solid start with thanks to for showing me half of the country with 6 projects in as many months.
📷: .alone

ADOBE | NASHVILLE, TN | BTS

14/08/2024

Orchestrated pointing on set with Ed de Carvalho
A man I am very appreciative for making my landing in New York a thriving, busy adventure. 📷: .alone

12/07/2024

🪨🌵🆙

07/07/2024

Whānau | Peace in the canyons 🕊️🤍

26/04/2024

Pepsi Co. | Copper Kettle Commercial with Directing & AC

Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the typical support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.

A well deserved thank you to & for their unrelenting support in all of my projects but specifically this one.
for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
coulthard & for the plate carrier that served as the best platform for this innovation.

21/03/2024

campaign

Director:
Photographer: .comninus
Agency:
DP: 👨🏽‍🍳
Megan Murray styling & props, Nadine Monley hair & makeup, Kanitta Choosuk manicure and S&Co casting and production for AESTHETICS Rx

15/03/2024

Lost & Found | New York Minute 🇺🇸🏡🗽

31/12/2021

So grateful to work with such professional crew I’m lucky enough to call my good friends. Thank you for your efforts this year and big Thank you to those who chose to collaborate with me this year on all projects. Thanks to you all, this career has never felt like ‘work’. ✌🏽