The Funeral Photographer

The Funeral Photographer "When we were blind with grief at mum's funeral, you were our eyes"
This is my work: Funeral Photography and Keepsake books. So, back to me. I had no problem.

Because funerals are too important not to be recorded. “I don’t want photos, you know, of people looking puffy eyed!”

This was said to me by a future client who wanted someone to record the funeral of her father as she had many relatives overseas who couldn’t come. She wanted to record the funeral for her relatives but she was still hesitant. Don’t confuse funeral photography with weddings! Havin

g a photographer to record your funeral is a totally different thing. It’s still early days yet, and yes, people are often surprised when they put the words “funeral” and “photographer” together. When I began photographing at funerals back in 2007 (for my own grandmother’s funeral) I never realised just how important and moving the process of photography could be for families. Often families haven’t seen each other in a big group for ages, if not years. Life goes on, families live overseas, children grow up. A loved one dies and the impulse to gather together, the practical need to have a funeral, takes priority. At a funeral people are at their most beautiful when they are being kind to one another. Barriers are lowered and tenderness rises. Everyone is human for a day. You can still laugh and be happy at a funeral. You can remember the person’s life. Even the funeral of a young person can be a time of tempered joy. You weep and hug one another but you remember the vitality and vigour of the youth. For an elderly person it can often be a relief that they’re no longer in pain, or in the nursing home. You can join together to remember the person they once were. The person who will live on in your memory. I record these moments of shared intimacy and genuine emotion. Once the images are taken, selecting the images gives a bereaving family a purpose and given there is no restriction on the number of images in the book, it is a very inclusive process. One family member commented that when he received the book it had brought the family together. He continued, “Our extended family had split in two and the book played a part in healing the rift between the families. Just by having the two families in the one book had an impact.”
Another widow once rang me during the book design process to ask if she could include an image I hadn’t taken that was precious to her as it was a photo of her and her husband and friends a year before her husband died. I welcomed her suggestion as I very much want families to understand it is their book. Sometime later she said the family had discussed the image and decided it shouldn’t be in the book. This is a small point but to me is indicative of how the family (not just the widow) had taken ownership of the book and I think in doing so, made it part of the healing process. Often the books have photographs of the person when they were young, or at their wedding, or holding their first grandchild, or doing something they loved. Another woman told me that it had taken her over a year before she could even look at the book. It wasn’t that it was too sad, it was just that with having to deal with the day-to-day issues of selling her father’s house, clearing it out, sorting out the paperwork, a year flew by. She said it was great to be able to see what had actually taken place during the funeral as she had no memory of it at all! I photographed another funeral over a month ago and the family has taken over a month to get back to me to tell me their preferred images. I always tell families they don’t have to choose the images but they always want to. The family took their time because it was important to them and they wanted to make sure it was all good. Some images of attendees they didn’t even know, “Who’s that?” but they liked the face, the fact that their father knew people. My photos are of ordinary people showing they grieve and are human. In a small way I think they strengthen families.

I often feel secular funerals are visually dull.Not emotionally—but visually. As a photographer, I notice the absence of...
29/03/2026

I often feel secular funerals are visually dull.
Not emotionally—but visually. As a photographer, I notice the absence of structure. Religious funerals have centuries of ritual—movement, clothing, gesture. Secular ones are still finding their language, often in spaces that don’t offer much to hold onto.
So I find myself looking for small acts of meaning. Moments people create for themselves.
At ‘s funeral, I noticed Coco Jumbo sitting quietly at the back—composed, deliberate, transformed.
Afterward, I asked her about it.
She told me she had spent over three hours getting ready:
“Maxi has been in my life for 16 years from when I first moved to Sydney! She gave me my first job doing meals on heels at stonewall, we spent the last 9 years working at Oxford hotel and traveled around the world together after filming Drag Race Down Under. There was no way I wasn’t coming to her Big Finale in Drag. She would have loved it!”
That idea stays with me—a Big Finale.
Maybe what secular funerals need isn’t just more ritual in the room, but before it. Time spent preparing. Remembering. Choosing how we arrive.
More than just putting on a black tie on the way out the door.

A man lost his brother, and then, just nine months later, he lost another—the brother who had stepped into a father’s pl...
26/03/2026

A man lost his brother, and then, just nine months later, he lost another—the brother who had stepped into a father’s place after their parents died when he and his brothers were still in their teens.

In such a short time, the anchors of his family were gone, leaving him to face the world without them.

He asked me to take this photograph. It was his way of acknowledging the weight of his grief, and of honouring the brother who had meant so much to him.

The fabulous singer  sang at ’s funeral  and then paid her respects to her.
23/03/2026

The fabulous singer sang at ’s funeral and then paid her respects to her.

https://thefuneralphotographer.com.au/the-honour-of-being-called-first/
19/02/2026

https://thefuneralphotographer.com.au/the-honour-of-being-called-first/

The Honour of Being Called FirstEarly on Monday morning, I received a call from a family I hadn’t heard from in years. Their elderly mother had passed away the night before. In that difficult moment, I was the first person they reached out to — before the priest, before the funeral home. They wa...

Over time I became aware that I was functioning for families as a repository of grief and I was concerned this was inhib...
16/07/2025

Over time I became aware that I was functioning for families as a repository of grief and I was concerned this was inhibiting their healing journey. I think the grieving are comforted by the knowledge that the dead has been honoured by preserving memories of the funeral but unfortunately knowing there is a repository also allows people to defer their grieving. And I think the longer people defer their grieving, the harder grieving becomes and the more likely they never fully recover from their loss.

I’ve therefore put much effort into making my books a stepping stone to healing.

Having to decide which images to include in the book as well as editing the eulogy allow people to safely enter the death zone as they are dealing with practical matters. And when they are there, because the images show love, compassion and kindness, the death is not as difficult to process as they had been imagining.

Andrew Pandelis from  goes the extra mile in his profession and the warmth that families show to him means he is truly a...
28/06/2025

Andrew Pandelis from goes the extra mile in his profession and the warmth that families show to him means he is truly appreciated.

Naval Funeral at Woronora Cemetery
27/06/2025

Naval Funeral at Woronora Cemetery

Grief and my keepsake booksSome of my clients struggle to finalise their keepsake books. Years may pass, the funeral now...
18/05/2025

Grief and my keepsake books

Some of my clients struggle to finalise their keepsake books.

Years may pass, the funeral now a painful memory and it is too difficult for them to go through it again.

And so the books don’t get published and my images become a repository of hard to deal with emotions; they give comfort by ensuring the funeral isn’t forgotten. However, their underlying grief is still there, in abeyance, not able to be diminished by being able to browse a keepsake book of the funeral.

I’m trying a new approach with my keepsake books. I photographed a funeral six weeks ago and decided to publish a proof book without waiting for the client to see or even sign off on its design. Two weeks ago, when the book was ready, I invited the three adult children to consider the book of their mother’s funeral as nothing more than a prototype. By not making it final but by making the keepsake book real, I’m hoping that the final keepsake book will be easier for my clients to accept.

The meeting with my clients was a success. Tears were quietly shared as they absorbed the book. It was important that they observed the book together as I strongly believe that grief should never be borne alone but shared with loved ones.

Now two weeks have passed since they saw the book (which they kept) and soon I’ll give them a nudge to see how the book can be progressed. When? I’m not sure. I’m in a world where there are no fixed rules only guiding emotions and kindness.

Different communities have different customs. Sydney’s indigenous community often fills in the grave as I understand the...
16/05/2025

Different communities have different customs.

Sydney’s indigenous community often fills in the grave as I understand the Jewish community does but I’ve never had the privilege of photographing a Jewish Funeral.

Photographing the filling in of the grave is incredibly hard. You need to be close enough to be there without getting whacked by the end of a shovel.

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Sydney, NSW
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