15/05/2026
Valie Export, the Austrian artist whose provocative performances helped reshape feminist art in Europe, has died in Vienna aged 85.
Her foundation confirmed she died on Thursday, just days before her 86th birthday.
Export became internationally known in the late 1960s for confronting the way women’s bodies were portrayed and controlled in public culture. Her performances shocked conservative audiences in Austria and Germany at the time, but later became recognised as major works in feminist and performance art history.
One of her most famous projects was the 1968 performance “Tap and Touch Cinema”. During the piece, Export wore a small curtained box over her chest and invited members of the public to touch her body through the fabric while she stood in busy public spaces.
The performance was designed to challenge the “male gaze” and force audiences to think differently about power, consent and the treatment of women in media and society.
Born Waltraud Lehner in the Austrian city of Linz in 1940, Export later adopted the name “Valie Export” to reject both her father’s surname and that of her former husband.
She studied art in Linz and Vienna and became one of the most influential figures in Austria’s avant-garde art movement.
Throughout her career, Export worked across performance art, film, photography and multimedia installations. Her projects regularly explored themes including sexuality, violence, identity and women’s representation in public life.
Her work was featured at major international exhibitions including the Venice Biennale and Germany’s Documenta exhibition.
In 1980, she and fellow Austrian artist Maria Lassnig became the first women selected to represent Austria at the Venice Biennale pavilion.
Export also directed films, including “The Practice of Love”, which received international attention after being nominated at the Berlin Film Festival in 1985.
In later years, she taught multimedia and performance art in Germany and continued exhibiting internationally.
Artists and galleries across Europe paid tribute following news of her death.
Her longtime gallerist Thaddaeus Ropac described her as one of the most visionary feminist artists of the modern era whose influence reached generations of artists around the world.
Today, many of Export’s once-controversial works are studied in universities and museums as landmark examples of feminist cultural criticism and performance art.