01/01/2026
A couple of ankle surgeries (one planned, one unplanned) has meant a sedentary summer for me but, while I was on two feet, it was another busy year of storytelling.
Much of my work in 2025 was on long-term film projects - yet to be completed - but looking back this morning I was surprised at how many stills jobs I also shot.
There was a return to the rugby sidelines, Stateside with Rugby Football Club Los Angeles, followed by a little R&R in beautiful Oaxaca.
When I returned to Australia in April, I was up and about shooting the Canowindra Challenge, and completed really worthwhile commissions for Vreeland Media, CSIRO & OUTBACK Magazine.
The big shift this year was more regular shoots and writing assignments for Guardian Australia, returning to my media roots on jobs as diverse as the Dezi Freeman manhunt, sheep racing, amateur gold prospecting and boutique cricket grounds made by Swiss-Italian pod shavers (Google Cricket Willow).
My ongoing film projects involve profiling some of our most progressive farmers for Weddin Landcare and documenting the crucial social services work of CatholicCare Wilcannia-Forbes.
Reflecting on the last 12 months, it occurred to me that no job involves turning up and going through the motions. Every assignment is challenging and stimulating and, increasingly, aligned with my own interests and values. I'm also fortunate to meet a lot of remarkable people through my work.
I feel good about who I am telling stories for, and remain extremely grateful to my loyal client base. These relationships have taken time to build but, these days, most of my assignments feel like collaborations rather than commissions.
There's already quite a bit in the diary for 2026, but I'm sure there will be a few unexpected twists and turns, hopefully involving more mezcalitas.
Oaxaca - I miss you. Anyone have a contact for the Mexico Tourism Board?