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08/06/2025

Quiet Meadow by Paul Evans

Kamille Corry (American painter) b. 1966Realist painter Kamille Corry’s art education and apprenticeship took place prim...
11/27/2023

Kamille Corry (American painter) b. 1966
Realist painter Kamille Corry’s art education and apprenticeship took place primarily in Florence, Italy where she pursued etching studies at Il Bisonte and drawing and painting at Studio Cecil-Graves. Corry also trained extensively there with noted painter D. Jeffrey Mims.
Corry’s paintings reflect her classical training and fine craftsmanship, rendering the figure in a modern, provocative light.

Demakov Yevgeniy (Russian painter) 1968 -Fairy Tale to Night, 2002oil on canvas50 x 70 cm. (19.7 x 27.6 in.)private coll...
11/27/2023

Demakov Yevgeniy (Russian painter) 1968 -
Fairy Tale to Night, 2002
oil on canvas
50 x 70 cm. (19.7 x 27.6 in.)
private collection

Lesokhina Lyubov ( born 1976) - Hot tea
11/27/2023

Lesokhina Lyubov ( born 1976) - Hot tea

by Harold Harvey
11/27/2023

by Harold Harvey

Ivan Semyonovich Kulikov (Russian painter) 1875 - 1941(Russian: Иван Семёнович Куликов)Peasant Girls, 1913oil on canvas1...
11/27/2023

Ivan Semyonovich Kulikov (Russian painter) 1875 - 1941
(Russian: Иван Семёнович Куликов)
Peasant Girls, 1913
oil on canvas
125.7 x 90.5 cm. (49.5 x 33.63 in.)
signed in Cyrillic and dated 'I Kulikov./1913' (upper left)
private collection

Robert Panitzsch, Two Women preoccupied with a Letter in a Blooming Front Garden, 1919Oil on Canvas, 86 x 69.5 cmPrivate...
10/25/2023

Robert Panitzsch, Two Women preoccupied with a Letter in a Blooming Front Garden, 1919
Oil on Canvas, 86 x 69.5 cm
Private collection

Laura Knight (British painter) 1877 - 1970The Coil of Hair, 1908oil on board90 x 59 cm. (35.43 x 23.23 in.)signed Laura ...
10/25/2023

Laura Knight (British painter) 1877 - 1970
The Coil of Hair, 1908
oil on board
90 x 59 cm. (35.43 x 23.23 in.)
signed Laura Knight 08
Dover Collections, United Kingdom
© photo Dover Collections

Laura Johnson was born in Long Eaton in Derbyshire to Charles and Charlotte Johnson. Her father died not long after her birth, and Laura grew up in a family that struggled with financial problems. In 1889 (at the age of 12), she was sent to France with the intention that she would eventually study art at a Parisian atelier.
After a short time in French schools, she returned to England. There, at the age of 23, she entered the Nottingham School of Art, one of the youngest students ever to join the school.

At school, Laura met one of the most promising students, Harold Knight (1874–1961), aged 27, and determined that the best method of learning was to copy Harold's technique. They became friends, and married in 1903.

In 1907, the Knights moved to the artists' colony in Newlyn, Cornwall, alongside Lamorna Birch, Alfred Munnings and Aleister Crowley, where she painted in an Impressionist style. The Beach (1908), widely admired both by other artists and the public, is an example of this style. Another interesting work is The Green Feather, which was painted in one day. In 1913, she made a painting that was a first for a woman artist, Self Portrait with N**e, showing herself with a n**e model, fellow artist Ella Naper. After the First World War, the Knights moved to London, where Laura met some of the most famous ballet dancers of the day, such as Sergei Diaghilev's Ballets Russes with Lydia Lopokova and Enrico Cecchetti, and Anna Pavlova. Her most famous work dates from this period. After a visit with her husband to Johns Hopkins Hospital in Baltimore where she saw an African-American for the first time, she remarked "The babies of American darkies are among the most beautiful things in the world. In fact, to the artist there is a whole world of beauty which ought to be explored in negro life in America." At the 1928 Summer Olympics in Amsterdam, Laura Knight won the Silver Medal in Painting with the painting Boxer (1917).

In 1929, she was made a Dame Commander of the Order of the British Empire, and in 1936 she became the first woman elected to the Royal Academy. From 1933, Dame Laura and her husband became regular visitors to Malvern. They found much inspiration for their work in the Malvern Hills and in the surrounding Worcestershire countryside. A blue plaque at the Mount Pleasant Hotel on Belle Vue Terrace, Great Malvern, commemorates the time they spent in the area.

Second World War Artist's Studio in a Bomber Factory: Charge hand Wilfred Powell helps Dame Laura Knight to set out her paints on a work bench in readiness for the day's work. During the Second World War, Knight was an official war artist. She worked on several commissions for the Ministry of Information's War Artists Advisory Committee, and she was one of only three British women war artists who travelled abroad. Her works during this period include In For Repairs (1941), A Balloon Site, Coventry (1942), Ruby Loftus screwing a breech-ring (1943), Take Off (1944), Factory Workshops and Land Girls, amongst many others.

After the war, she was the official artist at the Nuremberg Trials of the N**i war criminals. One result was The Dock, Nuremberg (1946). She continued to paint into the 1960s. She produced over 250 works in her lifetime as well as two autobiographies, Oil Paint and Grease Paint (1936) and The Magic of a Line (1965).

Source: Wikipedia

Władysław Ślewiński (Polish painter) 1856 - 1918Czesząca się kobieta, Studium kobiety (Woman Brushing her Hair, Study of...
10/25/2023

Władysław Ślewiński (Polish painter) 1856 - 1918
Czesząca się kobieta, Studium kobiety (Woman Brushing her Hair, Study of a Woman), 1897
oil on canvas
64 x 91 cm. (25.2 x 35.83 in.)
Muzeum Narodowe w Krakowie, Krakow, Poland

Władysław Ślewiński (1 June 1856, Nowy Białynin — 24 March 1918, Paris) was a Polish painter. He was one of Gauguin's students and a leading artist of the Young Poland movement.

He was born to a landowning family and his mother died in childbirth. His cousin, the painter Józef Chełmoński, noticed his artistic talent and advised his father to enroll him at the drawing school operated by Wojciech Gerson. His father resisted at first, but finally agreed.

In 1886, he inherited his family's properties in Pilaszkowice Pierwsze, which soon led to his financial ruin. Two years later, hounded by Russian tax collectors, he fled to Paris,[citation needed] where he first decided to take up painting as a career. From 1888 to 1890, he studied at the Académie Colarossi and the Académie Julian.

In 1889 he made friends with Paul Gauguin and became associated with the School of Pont-Aven; spending most of his time at Le Pouldu in Brittany. He was an exhibitor at the Salon des Indépendants in 1895 and 1896.

From 1905 to 1910, he was back in Poland, serving briefly as a Professor at the Warsaw School of Fine Arts and opening his own art school. In 1910, he returned to France.[3] He died in the Hôpital Cochin and was buried in Bagneux.

Ślewiński's philosophy of art seems to stem from an excerpted statement of his about Gauguin: "He is so much an artist that he has to be wholly accepted or else rejected. I can feel him and accept him totally, for he suits my ideas of art and beauty". Beginning with his early works, he simplified forms and painted in flat areas. He encircled areas with contours, though he sometimes blended color into color. While he sometimes verged on abstraction, his lighting never departed completely from direct observation of nature. His approach to so-called subjective color was similar, as can be seen in some of the landscapes from the Tatra Mountains.

Perhaps more important for Ślewiński than the selective application of synthetism was his search – inspired by Gauguin – for simplicity and sincerity in places untouched by modern civilization as well as in objects of daily use. In his art, Ślewiński concentrated on the object, infusing its materiality with the reflective sensitivity of a painter. The form and color determined the painting's atmosphere. The artist used mainly earth colors, sometimes enlivened with stronger accents. He employed a repertoire of forms with curving contours, and painted without a drawn sketch, as was characteristic of the epoch.

Source: Wikipedia

Art by Aldo Balding,contemporary artist born and raised in the United Kingdom and currently lives in the South of France...
10/25/2023

Art by Aldo Balding,contemporary artist born and raised in the United Kingdom and currently lives in the South of France.

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