Hsinyalin

17/01/2026

21年拍的照片一直忘記修
̇neartphotography

16/01/2026

好久沒拍了

16/01/2026

15/01/2026

̇neartphotography

06/01/2026

CONTROLLED VIOLENCE.
This circular saw is an instrument of formidable power, designed to create the first major breach through concrete and steel. The grime on its blade guard speaks of its raw force. A sculpture of power, wielded in the service of Rebirth.
From my series “Rebirth”.
Shot on 4x5 large format film.
Camera:
【蠻力】
這台切割機是一具令人生畏的力量儀器，旨在水泥與鋼鐵中創造出第一個缺口。護刃上的污垢訴說著它的原始力量。它如同一座為「重生」服務的、純粹力量的雕塑。

05/01/2026

A DORMANT ARTERY.
Folded in repose, the fire hose is a lifeline in waiting. Its canvas body is built for endurance, designed to bridge the gap between chaos and safety. It is the vital connection to the life-giving water source, the first line of control against the fire.
From my series ”Rebirth“.
Shot on 4x5 large format film.
Camera:
【生命線】
摺疊著的水帶，是一條沉睡的動脈。它是連接混亂與安全的橋樑，也是連接水源與前線的生命臍帶。在靜止中，蘊含著巨大的能量。
̇neartphotography

04/01/2026

THE HANDS OF THE WORK.

These gloves are the fragile interface between human will and the chaos of the wreckage. Frayed and worn through at the fingertips, they reveal a story of countless manual acts—pulling, clearing debris, and searching in darkness.

From my series ”Rebirth“. Shot on 4x5 large format film. Camera:

【勞作之手】

這雙磨損的手套，是人類意志與殘骸混亂之間的脆弱介面。指尖的破損揭示了無數次的手動操作——拉扯、清除瓦礫，以及在黑暗中的摸索。

04/01/2026

THE BLACK RAIN.

This is not mud. It is asphalt, melted from a rooftop during a ferocious fire, dripping down like a viscous torrent. This helmet was the only shield against it. Now hardened into a grotesque shell, it stands as a relic—a monument to the ordeal and the will to endure.

From my series ”Rebirth“. Shot on 4x5 large format film. Camera:

【黑雨】

這不是泥土，而是在一場猛烈火災中，從屋頂熔化滴落的瀝青。這頂頭盔曾是唯一的盾牌。如今它硬化成怪誕的外殼，不再是裝備，而是一座紀念倖存意志的聖物。

07/08/2025

攝影專案《重生》，是一部關於災難與希望、毀滅與創造的視覺見證。作品透過對新北市消防局特搜隊救援器材的肖像式攝影，凝視那些在生死界線上運作的器物。它們是消防員身軀的延伸，是凡人意志的鋼鐵化身；它們的形態強悍、甚至帶有攻擊性，其使命卻是為了最溫柔的守護。
整個系列，依循著特搜隊員的核心工作職能，並透過三個篇章——「火搶篇」、「救助篇」與「救護篇」——來呈現這段從毀滅到希望的完整歷程。

在此專案中，每一件器物都被我視為一位沉默的倖存者與見證者。透過8x10大畫幅相機精微而緩慢的凝視，我將它們從日常的功能性中抽離，為其造像。這些肖像所記錄的，是它們在一次次任務中所承受的創傷、所累積的榮耀。《重生》不僅是一系列關於工具的攝影，它更是一首獻給在災難面前，人性中最堅韌、最溫暖那份「不願放棄」的頌歌。