KidofOzz

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KidofOzz

Fine art photographer who enjoys creating dark & conceptual images. I am a 24-year-old fine art photographer born and raised in Serbia.

From the early age of 13, when I had fallen in love with the process of creating artworks, photography has been the most beloved tool for expressing myself. The idea of my images is to translate my observations of the world around me into concepts.

18/04/2026

Bloomlands,
‘26

for
shot by 📸🌼

07/04/2026

Currents
Fashion meets dark art

x x

03/04/2026

Every time i leave photography for a bit and come back, I remember how much it gave me.

Time with people i love
how easy it is to just exist for a bit
making something for no real reason
just playing without a plan and barely any thoughts:

I still catch myself digging through flea markets
for a dress and a blazer i obviously don’t need
just to end up months later in a field running around with friends like it matters.

Almost 30
still doing this
still playing.

I keep realizing life’s that simple
meaningful without needing a meaning.
Just being here
playing
living.

Snaps from one of our regular afternoons with a camera in 2025.

30/12/2025

This year was quiet when it came to my art. That’s okay. Some years are quiet.
Some images, like some things, take time.
Wishing you lots of inspiration in 2026 ✨

Images from my Winged project dating back to 2024.
Costume: Olja i devet paunica
Direction:

04/09/2025

“Vendetta”

This set isn’t about Kill Bill, but I couldn’t stop thinking about it while editing. There’s no direct reference, just a certain mood. A sense of aftermath. Stillness before or after violence.

When I was younger, Kill Bill felt larger than life. My nephew and I watched it endlessly, half-terrified, half-obsessed. It was stylish and brutal. We knew the scenes by heart. It became part of us something we carried long after childhood ended.

Now, when I return to that memory, I realize what lingered wasn’t only the action, but the emotional weight beneath it. A story of grief, betrayal, survival wrapped in bold colors and sharp lines.

That’s what this set feels like to me. Not a story, not a recreation, but a reflection. A quiet moment that could belong to something much bigger. A frame pulled out of a narrative that never gets told.

It wasn’t an easy set to finish, I’ve started finding it hard to create dark imagery the way I used to. Life adds layers. Experiences, both mine and others’, made me more aware of how fragile people are when encountering art. The darkness is still there, but it asks for more care now. More intention.
This series came from that place - memory, emotion, restraint. Not quite cinematic this time, but also not quite personal. Something in between.

What are the films that stayed with you like that? The ones that shaped your imagination without you noticing? What stories have you found yourself returning to — in your own way, years later?

27/07/2025

“Insomnia”
2024

Haven’t shared a dark one in a while!

This one is inspired by my trouble falling asleep that I’ve been fighting with for the past six years.
Most of nights, my body stays still, but my mind doesn’t follow.

A year of night shifts rewired something.
Now, when the world goes quiet, my brain wakes up.

Insomnia and I have become something like friends.
She appears in my work over and over
but never quite right.
The images come out strange.
Eerie. Over-textured.
Like a melatonin induced fever dream.
Too many thoughts, too much contrast, too raw.

I used to fight it.
The pressure to sleep.
The stress when you can’t.
The fear of not waking up in time.

But I know it’s not just me.
1 in 3 people struggle with sleep.
Blue light alone can push rest away by 90 minutes.
Chronic insomnia can double your risk of depression.

It’s not just about being tired
it’s about trying to move through a world that doesn’t wait. Being incapsulated when unable to.

It’s still something I work on. Some nights are better than others.
Some nights I make images instead of sleeping.
If you know the feeling,
maybe this image is for you.
Just as a mirror to know we share struggles and we’re always able to at least use them as a fuel for our ideas.

15/07/2025

Images taken between 2012 and 2014. 🖤

A close friend told me the other day I should do more about publishing my images. Instead of listening to the advice I kept the same routine:

I post them, you see them, and then they disappear.

But I think I subconsciously enjoy exactly that.
I don’t really look at my older work. I rarely comment on it. Sometimes I don’t even remember all the images I’ve taken. 🙈

On rare occasions, I go through old folders, and then the feelings hit me. I can remember so clearly the period I was in when I took them. My mood, what was happening around me, and how I felt.
That’s a thread that ties my visuals together.

Sometimes a certain smell, a shift in season, or that little moment before falling asleep brings me right back to a scene from a photoshoot years ago.

Maybe it’s my mind playing tricks, not wanting to try new things. Or maybe it’s a quiet fear that I’ll grow numb to my own art. Like when you play a song too many times and it starts to lose its meaning. Or a perfume that once brought back memories, until you smelled it too often.

Whatever it is, it’s worth holding on to as the only truly glimpse back at my life. 🤍

Address

Sombor

Website

http://markonadj.com/

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