23/04/2026
I was lucky enough to work on several films as a boom operator, with Tatort: Murot und das 1000-Jährige Reich being my final project.
During that time, I developed a passion for set photography.
I bought my first Leica — a Q2 Monochrom — and started bringing it to set, since I didn’t have much time to shoot in my free time.
There, I practiced the approach I would later pursue in street photography: shooting from the hip using zone focusing.
Even today, whenever I have the opportunity to work on a short film, I really enjoy documenting the shoot. My colleagues appreciate it — and I do too.😀✌️
Someday I want to put together a zine with all the photos.