robinqphoto

Home
United Kingdom
Bristol
robinqphoto

I’m a freelance photographer, following my passions, shooting architecture & interiors, the alpine landscape around me and the people I enjoy it with.

31/08/2026

There’s a particular quality to morning light in a room like this - the way it drifts across from the window and settles into everything it touches. Setting Plaster on the walls does a lot of the work here, holding that soft warmth and giving the whole space a quiet glow to build around.

The trick is letting the light lead. Rather than flattening everything out, I let it fall across the room so the textures come alive - the stripe of the headboard, the pattern in those velvet cushions, the grain of the oak. Shadow does as much as brightness. It’s what gives a still image a sense of being lived in.

A lovely bedroom in Salisbury for Emily French - a real pleasure to shoot.

Happy Bank Holiday Monday, all. Hope you’re finding a moment to enjoy it. ☀️

20/08/2026

Reconnecting a home to its garden - shot for Moon Design.

The brief here was about connection: the owners didn’t use their garden and needed more space, so Moon brought the living heart of the house to the north-west corner, opened it up with big sliding doors, and stacked a two-storey volume above for a master suite and balcony looking out across the tree canopy.

Photographing a project like this is about showing that relationship between inside and out. So the exterior frames lean into the charred timber against a clear summer sky, and the way the new volume sits confidently alongside the original render and slate. The interior was shot to carry the eye straight through the glazing to the garden beyond - light pulled right through the space, the sightline from sofa to lawn kept clean and unbroken. The drone frame ties it all together, showing how the addition reads within the footprint. And details like those aqua chairs on the balcony give a sense of how the spaces are actually lived in.

The aim throughout: let the architecture’s central idea - a home that finally opens to its garden - carry every frame.

Moon Design, a pleasure to shoot. 🤎

18/08/2026

Shot in a wonderful house in Bath, now on the market with . That mustard yellow, wrapped floor to ceiling across the panelling and cabinetry, turns what’s usually the most functional room in the house into something with real character. Brass taps, marble worktop, the little run of dusters and brushes on their hooks, the period fireplace and cornicing left to do their thing.

Rooms like this are a gift to photograph — full of colour and detail, but with enough restraint to let the light and the craftsmanship carry it. And for a house going to market, images that give a space this much personality are exactly what make a listing linger in the memory.

17/08/2026

A few years on, and these images are still working hard.

The Arches, shot for House Nine Design Studio. The pantry frame went viral, several images were picked up in press, and the set has kept earning its keep long after the shoot wrapped - the mark of photography that does a real job.

These days they’re doing double duty: the space is listed as a location hire, and these frames are what draw people to it. Photography that not only sold the project first time round, but keeps opening doors for it years on.

That’s always what I’m shooting for. Not one hero shot, but a considered set that carries a project: frames that hold up in print, stop the scroll, and still look current years later. It comes down to reading the light, framing with restraint, and knowing which moments will actually work once the images are out in the world.

Beautiful spaces deserve photography that keeps selling them - long after the styling’s packed away.

📸: Robin Quarrelle | Interiors & architecture Photographer
House Nine Design Studio
Jojo Barr

06/08/2026

A couple of months ago I switched everything off for a few days at The Quist on Brinsop Estate in Herefordshire - an off-grid cabin tucked deep in the woods. No WiFi, no telly. Just bliss.

I a tayed here with Georgie and my sister Liv, and we fell straight into the slow rhythm of it. We read books. Went for long walks. Explored the bookshops of nearby Hay-on-Wye. Listened to the forest - proper birdsong, the kind you forget exists. Saw deer. Saw no one.

The cabin itself is a lovely thing to photograph - timber inside and out, a woodpile gable end, green-framed windows looking straight into the trees, and little moments of warmth everywhere (that gingham-skirted kitchen, the hop garland over the window seat). The whole place feels held by the woodland around it.

Sometimes the best reset is the simplest one. Highly recommend. 🌲

04/08/2026

There’s something about an Edwardian house that’s been brought back to life with real care - where the old bones stay honest and everything new feels like it always belonged.

This one sits on Marlborough Lane in Bath, just below the Royal Crescent, and it was a joy to shoot. That deep green kitchen has stayed with me: the marble splashback, the brass k***s catching the light, the way the sash windows pull the garden right in. And the pantry, all soft shadow and cookbooks under those glowing shelves - a proper room to linger in.

Beautifully remodelled and extended throughout, and now on the market with .

Always a pleasure photographing homes with this much character.

📍 Bath

30/07/2026

One line, and the whole room follows it.

Shooting square-on to a room, with everything converging on a single point, is one of the oldest tricks in architectural photography - and it still stops people scrolling. The eye has nowhere else to go.

It only works where a room has a genuine axis, though. A doorway on centre, a corridor running away from you, a fireplace squared to the wall. If your project has one, it’s worth flagging before the shoot rather than hoping it gets found on the day.

Planning photography for a project? My free guide walks through how to prepare by a space so it photographs at its best - link in bio.

28/07/2026

Dartmoor Lodge - bar and restaurant.

A lovely one to shoot. Granite, old beams and a stove that had been there long before any of this, then a scheme built around it in olive velvet, brass and warm oak. Nothing fighting for attention.

The trick with a space like this is patience. The daylight rooms wanted the morning; the fireplace and the shelving wall only really came alive once the lamps were on and the fire was going. Two very different feels in the same building, and worth waiting for both.

Designed by — thanks very much for having me.

15/07/2026

Party barn energy, superprime setting. 🏌️‍♂️🍸

This lakeside entertaining wing is one small part of The Meadows, a 20,200 sqft estate on the Isle of Man - a comic-strip cocktail bar with pop-art lightboxes, a golf simulator, and three themed bathrooms each with their own personality. Still lake reflections and orangery windows round out the other side of the building - what a place to entertain!

The Estate was shot over three days for and is now on the market for £20,000,000.

Address

17 FALMOUTH Road
Bristol
BS78PU

Website

http://www.robinquarrelle.com/

Alerts

Be the first to know and let us send you an email when robinqphoto posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to robinqphoto:

Want your business to be the top-listed Photography Service in Bristol?