Martin Bamford Photography

Martin Bamford Photography Portrait photographer in and around Cranleigh, Surrey. I help founders, consultants and creatives look credible and confident in photos that win them work

Owning a drone doesn’t make you a drone photographer.There, I said it.Drones have become incredibly accessible. For a re...
14/09/2026

Owning a drone doesn’t make you a drone photographer.

There, I said it.

Drones have become incredibly accessible. For a relatively modest amount of money, almost anyone can buy a very capable sub-250g drone, complete the necessary registration and start putting a camera in the sky.

And that’s brilliant. I love how accessible this technology has become.

But being able to safely pilot a drone and being able to create a professional photograph with one are two very different skills.

The flying is only part of the job.

You still need to understand light. You need to recognise a strong composition, choose the right angle, work out where the subject sits within the landscape and decide whether being higher actually improves the photograph.

Sometimes the best drone photograph is taken at 40 feet, not 400.

You need to understand shutter speed, exposure, dynamic range and editing. You need to know when the light will work and when it won’t. And you need the judgement to look at a scene from above and turn it into something more interesting than simply, “Look, I’m in the air.”

Then there’s the less glamorous side.

Even with a sub-250g drone, there are still rules around where and how you can fly. Camera-equipped drones require the appropriate CAA registration, and anyone flying commercially needs suitable third-party insurance.

Smaller drones give photographers far more flexibility than we had only a few years ago, including the ability to operate in some areas where heavier aircraft face much greater restrictions. They still don’t remove the responsibility to fly safely, legally and with proper awareness of the people and environment below.

This photograph of the Surrey Hills Wood Fair at the weekend is a good example of why I carry a drone alongside my normal cameras.

The drone gives me another viewpoint.

Photography is what decides whether that viewpoint becomes a worthwhile photograph.

The same things matter whether my camera is in my hands or several hundred feet above my head: light, timing, angle, composition and knowing what belongs inside the frame.

A drone is a fantastic camera.

But it’s still just a camera.

What a brilliant couple of days at the Surrey Hills Wood Fair.Everything ran so smoothly, more than 4,000 very happy vis...
13/09/2026

What a brilliant couple of days at the Surrey Hills Wood Fair.

Everything ran so smoothly, more than 4,000 very happy visitors came through the gates over the weekend, and it was such a pleasure working alongside the excellent Surrey Hills Enterprises team.

Highlight of today for me? The ferrets. So many ferret cuddles. Possibly too many ferret cuddles. Actually, no such thing.

I also got through the day largely powered by caffeine and sugar, so no different to most days really.

A few frames from today 📸

A brilliant first day at the Surrey Hills Wood Fair.I’ve been helping out behind the scenes this weekend, but managed to...
12/09/2026

A brilliant first day at the Surrey Hills Wood Fair.

I’ve been helping out behind the scenes this weekend, but managed to sneak away with the camera for a while too. A few favourite frames from today.

We’re back at Cranleigh Showground tomorrow from 10am to 4pm, with loads to see, make, eat, watch and explore.

It’s a genuinely lovely family day out and great value too. If you’re looking for something to do on Sunday, come along and enjoy it.

My new podcast series, The Surrey Hills Portrait, is live!My first guest is filmmaker Ben Seale, whose unusual route int...
08/09/2026

My new podcast series, The Surrey Hills Portrait, is live!

My first guest is filmmaker Ben Seale, whose unusual route into television began with several years as an officer in the Swiss Air Force.

He went on to work on programmes and events including The Repair Shop, Hairy Bikers, Glastonbury and the BBC Proms before starting Directed by Good, his Dorking-based production company.

We talked about breaking into television without contacts, the less glamorous realities of running a creative business, building a company around work that matters and why success doesn’t have to mean becoming enormous.

It’s an open, thoughtful conversation and exactly the sort of local story I created this podcast to share.

You can listen now on my website or find The Surrey Hills Portrait on your usual podcast app.

Mia, the latest in my series of portraits of actors represented by Showdown.Such a brilliant studio session, with a vint...
07/09/2026

Mia, the latest in my series of portraits of actors represented by Showdown.

Such a brilliant studio session, with a vintage-style microphone becoming the perfect prop and giving us plenty to play with. We moved through a few different looks, from classic Hollywood to something a little more theatrical and playful.

I absolutely loved working with Mia. Huge thanks to her for making time in a very busy schedule, squeezing this shoot in between performances in Dorset and the Midlands.

A proper performer, and an absolute joy to photograph.

07/09/2026

Monday morning thought.

Go to your About page.

Can you actually see the person your customers will be dealing with?

You should be able to.

People buy people.

If your About page is all words and no faces, you’re making it harder for people to trust you.

Maybe it’s time to book a photographer.

What a weekend!Robin Hood taking over Knowle Park. 230 runners crossing the finish line at Cranleigh parkrun. An Arabian...
06/09/2026

What a weekend!

Robin Hood taking over Knowle Park. 230 runners crossing the finish line at Cranleigh parkrun. An Arabian Nights birthday party, complete with a surprise Spitfire flypast. And an early Sunday morning out with Surrey Search & Rescue.

Friday night started with photographing the first of three performances of Robin Hood in the Park at Knowle Park. I was back again for the Saturday matinee, this time overseeing the marshalling as a few hundred visitors arrived for the show.

Saturday morning began, as usual, with Cranleigh parkrun, photographing 230 finishers making their way around the course.

Then Saturday night brought a fantastic 60th birthday party to photograph, complete with an Arabian Nights theme and, unexpectedly, a Spitfire flypast thanks to an aviation event happening next door!

Early doors this morning for an exercise with the superstars at Surrey Search & Rescue, before heading back into the studio this afternoon to start working through the edits.

A very full few days, with a lovely mix of community, events, photography and a bit of adventure thrown in.

I’ll sleep well tonight!

A few favourites from a brilliant couple of hours in the studio with actor Jack Reeves.When Carli first introduced us, s...
01/09/2026

A few favourites from a brilliant couple of hours in the studio with actor Jack Reeves.

When Carli first introduced us, she mentioned that Jack was a Whovian. I had to quietly spend a few seconds working out what that meant.

Once we got shooting, though, Jack made things very easy. He is incredibly expressive, very comfortable trying different ideas, and we ended up with a much wider range than a straightforward headshot session.

Some clean, natural portraits. Some darker, more theatrical frames. And quite a few somewhere in between.

Really pleased with what we made together.

31/08/2026

September has always felt like a fresh start.

The summer holidays are ending. People are returning to work, and the kids are heading back to school; routines are settling down, and all those things postponed until “after the summer” are finding their way back onto the to-do list.

Perhaps updating your photograph is one of them.

If your current headshot no longer looks like you, or your business needs stronger photographs for its website and social media, September is a very good time to sort it.

To give you a little extra reason to stop putting it off, I’m including a complimentary September Profile Pack with every headshot or personal branding session booked by Sunday 6th September and photographed during September.

Your Profile Pack will include two additional edited photographs, along with versions of your chosen images cropped and prepared for LinkedIn, social media and your website.

There’s no reduction in my usual session prices. It’s simply some extra value to help you get more practical use from the photographs we create together.

My headshot sessions start from £195 and include clear direction throughout, so you won’t need to know how to pose or what to do in front of the camera. We’ll create photographs that feel natural, credible and recognisably you.

September availability is limited, particularly for the most popular weekday slots. Link to my booking enquiry page in the comments.

And if you’re unsure which session would suit you, send me a DM and tell me what you need the photographs for. I’ll be happy to point you in the right direction.

31/08/2026

Before becoming a full-time photographer, I spent around 20 years working in financial services.

The two careers have more in common than you might first expect.

Both involve trust. Both depend on asking the right questions.

And in both, the thing someone says they’re worried about often isn’t the real concern.

A financial planning client might ask about investment returns. What they really wanted was confidence they could afford to retire.

A photography client might say they hate having their photograph taken. What they often mean is:

“I’m worried I’ll look awkward.”

“I’m worried the photographs won’t feel like me.”

“I’m worried I’ll be judged.”

That’s why taking a good professional portrait starts long before I press the shutter.

It starts with listening.

What does “professional” mean in your world?

Who needs to trust you?

What should they understand about you?

How should they feel when they see your photograph?

The answer might be experienced and reassuring. Creative and distinctive. Warm and approachable. Confident without appearing unapproachable.

A couple of decades in financial services also taught me that clear guidance makes unfamiliar situations feel manageable.

You don’t need to know how to pose. You don’t need to understand lighting or camera angles. You just need someone who can guide you through it, one small adjustment at a time.

Most importantly, I learned that professionalism isn’t a costume.

You don’t necessarily need a dark suit, a plain background, and a serious expression.

You need a portrait that reflects who you are, the work you do and the people you want to reach.

Something credible and honest.

Something that looks like you on a very good day.

Because the real goal isn’t simply a technically good photograph.

It’s having an image you’re happy to put on your website, add to LinkedIn or send to an event organiser without hesitation.

That confidence is what the photograph is really for.

Address

Sundial House, 20 High Street
Cranleigh
GU68AE

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