Simon Plant - Aeonian.Art

Simon Plant - Aeonian.Art "Where Antiquity Whispers"
The video stories and meditative moments behind capturing ancient light. Preview At ~ http://bit.ly/4o5zdRf

I’m Simon a British Photographer with a career of over 34 years as a professional photographer based in the historic rural county of Somerset in England. I live here with my wife, 3 children & a nutty dog called Willow.
“Aeonian” (meaning eternal in Greek) references my love affair with Greece its antiquities & people something you will find plenty of here. My commercial work & projects can be found at www.simonplant.co.uk

Kardamena on Kos at dawn. This wasn't a planned location.I arrived with my daughter Gracie and no particular brief — jus...
11/06/2026

Kardamena on Kos at dawn. This wasn't a planned location.

I arrived with my daughter Gracie and no particular brief — just a clear dawn forecast and the intention to see what the morning offered.

What it offered was these half-submerged steps on the shore, the light rising over the Turkish mountains, and a ginger cat who joined us uninvited and stayed for most of the shoot.

The light on those steps was the kind you don't orchestrate. You just arrive early and wait for it to happen.

Fine art print available at aeonian.art — link in profile.

📧 aeonian.art

There's a particular quality of light in Rhodes Old Town shortly after sunrise.The streets are narrow enough that the su...
09/06/2026

There's a particular quality of light in Rhodes Old Town shortly after sunrise.

The streets are narrow enough that the sun doesn't reach the cobbles directly — it bounces off the warm-toned stone walls at an angle that picks out every texture and sends a glow across the entire scene.

This staircase and courtyard appeared on one of my early morning wanders. I hadn't planned it. I wasn't looking for it. The light found it and I was in the right place.

That's what I mean when I say Mediterranean light has a character you can't manufacture or time precisely. You can only be there.

Limited edition fine art print available at aeonian.art — link in profile.

📧 aeonian.art

The Where Antiquity Whispers videos on YouTube are short previews.The full versions — where I actually go deep into the ...
06/06/2026

The Where Antiquity Whispers videos on YouTube are short previews.

The full versions — where I actually go deep into the story behind the image, the planning, the moments that didn't make it into the photograph, the history of the place — those are for members of the Aeonian Email Collective.

Monthly. Free to join. No algorithm involved — just an email landing in your inbox.

If you want the full story behind the images, not just the highlights, the Collective is where that happens.

Link in profile → aeonian.art/the-collective

📧 aeonian.art

Rhodes Old Town at dawn. One of those locations that keeps drawing me back.St John's Gate — one of the less-visited entr...
04/06/2026

Rhodes Old Town at dawn. One of those locations that keeps drawing me back.

St John's Gate — one of the less-visited entrances to the old town — has a quality that the more famous gates don't. It feels intimate. Worn. Used by people for centuries rather than photographed by tourists.

I returned specifically because my first attempt hadn't satisfied me. The light on this visit was what I'd been waiting for — warm stone illuminated in the pre-dawn glow, balanced against a sky that was waking rather than awake.

The limited edition print is available at aeonian.art — link in profile.

📧 aeonian.art

The most common question I get: "What print would work in my space?"It's genuinely hard to answer without knowing the ro...
02/06/2026

The most common question I get: "What print would work in my space?"

It's genuinely hard to answer without knowing the room. Not just the wall size or the colour palette — the light. The quality of light in a room at different times of day shapes how an image feels when you live with it.

A dawn photograph in a cool north-facing room can feel like a sanctuary. The same image in a south-facing room with afternoon sun can look washed out.

I built a short quiz to help you figure out which type of Mediterranean light — and which of my photographs — would actually work for you.

Five questions. Two minutes. Honest result.

Link in profile → Discover Your Light

📧 aeonian.art

Days of battering storms along the Catalonian coastline. Then the forecast showed a brief window.I was in Lloret de Mar ...
30/05/2026

Days of battering storms along the Catalonian coastline. Then the forecast showed a brief window.

I was in Lloret de Mar and had been watching the weather, waiting. The moment the sun emerged from behind the cliffs, the warm light transformed the rugged terrain completely.

Earlier in the day I'd found a tunnel on the coastal path that led to a cove. I knew it would be worth revisiting at sunset. So I did.

The calmness of the evening after the storms was something else. The sea, still stirred up but settling. The coastal rocks picking up the last warm light.

Sometimes the worst weather sets up the best conditions. You just have to be patient enough — and brave enough — to be there when it clears.

📧 aeonian.art

The legend says Poseidon turned Odysseus's ship to stone during a terrible storm. That stone became Pontikonisi — Mouse ...
28/05/2026

The legend says Poseidon turned Odysseus's ship to stone during a terrible storm. That stone became Pontikonisi — Mouse Island — at the mouth of the Halkiopoulos lagoon in Corfu.

The small church on top is Panagia Vlacherna. I'd photographed the island from the cliffs at dusk. For this image I wanted something closer and more intimate.

Getting there without a car was the challenge. Someone told me the beach route was walkable at low tide. It was — just. I made it to the walkway with the tripod intact and set up as the sun cleared the horizon and started burning the mountain mist.

I love this image because it asks for nothing. The light does the work. The island does the rest.

📧 aeonian.art

I'd already spent an hour and a half shooting Kastri Island at dawn at Agios Stefanos beach in Kos. Then I turned around...
26/05/2026

I'd already spent an hour and a half shooting Kastri Island at dawn at Agios Stefanos beach in Kos. Then I turned around.

Right there on the beach: the Byzantine basilica of St Stefan. I hadn't properly registered it in my research excitement about Kastri.

When I arrived it was still fairly dark, and a guy had parked next to me and disappeared over the ruins. No camera. I couldn't work out what he was doing.

Morning workout. Of course.

One of the things I love about Greece — and Turkey to a greater degree — is that you can simply park, walk onto an ancient site, spend an hour among the ruins, and leave. No ticket office. No gift shop.

I lost myself for an hour shooting the wonderful textures in the morning light, occasionally dodging the other guy's workout routine.

That afternoon we came back as a family for a picnic and a swim in the bay.

📧 aeonian.art

Rhodes Old Town is a wonderful maze of warm-stoned streets and alleyways. Every visit I make it a priority to wander wit...
23/05/2026

Rhodes Old Town is a wonderful maze of warm-stoned streets and alleyways. Every visit I make it a priority to wander with the camera and get properly lost.

It's not hard to do. And I always pop out somewhere vaguely recognisable, gather my bearings, and go back in.

What drives me is the excitement of not knowing what I'll find. Sometimes it's a scooter or a car that's survived the dry climate. Sometimes a pair of cats. Quite often it's the light itself illuminating a subject I'd have walked past at any other time of day.

This small street appeared in the early morning, shortly after sunrise. The light picked out the textures on the ancient walls and cobbled stone. I especially love the backlit palm leaves — a touch of the exotic that feels completely at home in the Mediterranean.

📧 aeonian.art

Something I've noticed after 37 years of photographing Mediterranean light: not every image works in every space.Dawn ph...
21/05/2026

Something I've noticed after 37 years of photographing Mediterranean light: not every image works in every space.

Dawn photography — that cool blue before the sun clears the horizon — creates a sense of stillness. It's calm, contemplative, ideal for spaces where you want to feel settled.

Dusk photography has warmth, depth, a kind of richness that comes from the last light of the day. It feels more dramatic, more convivial.

The edge of darkness — that ten-minute window between — is something else again. Neither day nor night, it creates a very particular kind of peace.

If you've ever struggled to choose, I built a short quiz to help. It tells you which Mediterranean light suits your personality and your space.

Link in profile → Discover Your Light

📧 aeonian.art

Address

Monks Yard Horton Manor
Ilminster
TA199PY

Telephone

+447850534084

Website

Alerts

Be the first to know and let us send you an email when Simon Plant - Aeonian.Art posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Simon Plant - Aeonian.Art:

Shortcuts

Share

Category