Caleb Fung

Caleb Fung Based in Hong Kong. Exile to the Red Planet Virtual Tour 👇🏼
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Finally got to experience the work installed in person 🥹🌿Exhibition continues until 14 June 2026!Where Roots Take Hold (...
23/05/2026

Finally got to experience the work installed in person 🥹🌿
Exhibition continues until 14 June 2026!

Where Roots Take Hold (2026)

In the past century, groups of K*k Po villagers migrated to the UK in search of a better life and to provide for their families. As Hong Kong underwent rapid urban development, the village gradually fell into abandonment. In recent years, some villagers have returned, others living between K*k Po and their homes overseas, finding ways to remain connected to their homeland.

As an outsider researching from afar, I found myself quickly drawn to a centuries-old banyan tree in K*k Po, a Pak Gong tree, long regarded as a representation of the God of Land, and a humble witness to the village’s history. In K*k Po, trees are treated with a deep sense of respect, villagers spoke of them not simply as part of the landscape, but as something to be cared for and lived with. This led me to wonder: are there banyan trees in the UK, and what might they reflect about the villagers’ way of living?

In the UK, I eventually found a banyan inside the Palm House at Kew Gardens, carefully maintained within a glasshouse environment. A horticulturist told me: “The banyan receives offerings from visitors all the time.” This stayed with me.

During my time in K*k Po, listening to villagers’ stories of growing up there, and of lives shaped by movement and diaspora, I began to understand these connections more deeply. Across distance, both people and trees take on new contexts, yet remain deeply tied to where they come from.

The work unfolds in Lo Wai, the oldest settlement in K*k Po, within Sung’s mansion, where roots and ruins have become intertwined. Beneath the shadow of the banyan, I carry a quiet hope that wherever we are, we may remain grounded, resilient, and connected to nature.

Special thanks to .vision 🙏🏼
First video by .sy ✨

12/05/2026

I returned to the UK in mid-April, but the project continues.

From K*k Po’s Hakka house to the Palm House at Kew Gardens, the search for banyan trees, and the stories, memories, and ways of living they carry, continues between places.

The outcome of the residency will be presented during the upcoming festival in K*k Po, Hong Kong, opening on 16 May. 🌿

Check out the program
Curated by

*kPoProject

03/05/2026

A small glimpse of me working inside our home in K*k Po, brought along a little printer for some quick prints. 🖨️🖌️ *kPoProject

21/04/2026

Life in K*k Po, a slow, interconnected rhythm shared between animals, insects, and the land.
*kPoProject

10/04/2026

Arriving in K*k Po, a place of stillness, distance, and quiet presence.
With ✨

On the final night of my second stay in K*k Po, feeling deeply grateful, and already sensing how much I’ll miss this pla...
03/04/2026

On the final night of my second stay in K*k Po, feeling deeply grateful, and already sensing how much I’ll miss this place…

Thank you to everyone for your kindness and care 🙏🏼

話咁快聽日又出村,謝謝大家的照顧🙏🏼🥹

Back in Hong Kong for a couple of weeks, mainly for the residency project in K*k Po.
Words can’t fully express how grate...
28/03/2026

Back in Hong Kong for a couple of weeks, mainly for the residency project in K*k Po.

Words can’t fully express how grateful I am for this opportunity and experience. Here are some images from my stay last week, it’s a truly magical place.

( I’ve been thinking about the relationship between people, land, and trees, and the traces that remain as lives move elsewhere… )

Stay tuned, the work will be exhibited in the village this May. Looking forward to returning again next week!

(Chinese caption below ⬇️) Hi friends! I’ve begun a new project researching K*k Po (谷埔), a historic Hakka village in Hon...
16/02/2026

(Chinese caption below ⬇️) Hi friends! I’ve begun a new project researching K*k Po (谷埔), a historic Hakka village in Hong Kong.

With only a few remaining residents, many of its original villagers have migrated to the UK from the 1960s onwards.

Working between the UK and Hong Kong myself, I’m interested in the relationship between people and land, and what happens to memory, ecology, and identity when distance grows.

I would love to connect with anyone in the UK who:

• Is originally from K*k Po or the nearby region
• Has family roots there
• Or simply shares a Hakka heritage/background

Conversations can be informal and exploratory, I’m currently in the research phase and listening.

If you know someone I could speak with, please feel free to DM or connect us. I would be deeply grateful 🙏🏼🤍

最近開展了一個關於香港谷埔的藝術項目,知道大部分居民自60年代起陸續移居英國。作為一個穿梭於英國與香港間的藝術工作者,對谷埔居民與地方的記憶,連結,以及生態和身份的想象甚感興趣,並且希望可以與他們聯繫作更深入的了解與探討!

如果你或你認識的朋友:
•在英國/遊走於香港及英國

• 來自谷埔或鄰近地區(例荔枝窩,榕樹凹)/
• 與谷埔有淵源/
• 或擁有客家背景

我很希望可以與你交流對談,形式不拘,以輕鬆了解,發掘更多有趣故事為主!歡迎聯絡介紹和share ,感謝不盡! 🤍

As usual, a delayed post. 
2025 was a tough one, a quiet year, a creative pause. It felt like 80% cooking and housework,...
01/01/2026

As usual, a delayed post. 

2025 was a tough one, a quiet year, a creative pause. It felt like 80% cooking and housework, and the remaining 20% was chaos, scattered and hard to hold onto. Only when I finally had the time to rest and reflect at the end of the year did I realise something important: I was doing one incredibly meaningful thing… supporting a newborn creative as she found her path!

I’m so proud to witness .sy grow and evolve this year, and I’m genuinely excited to see where her future work will go.

As for me, 2026 is a return, back to my own projects, with renewed focus. Wish me luck!

Images:
1. Pigeon flying low over Canal Saint-Martin, Paris
2. A 1600+ year old Shinpaku (Juniper), Shodoshima, Japan
3. Traces of Life: From eDNA to Visual Art, Prof. Ip Chi Ho × Caleb Fung, Hong Kong (my only exhibition in 2025)
4. .sy ‘s 🥔 project
5. .space.between.the.stars by .sy and .tiffanyeung 
6. Reuniting the secondary school filming gang in a new city! with and

An exhibition I’m part of quietly opened on September, 9,647 kilometres away from me, in Hong Kong 🌊✨Thank you Duncan  f...
18/09/2025

An exhibition I’m part of quietly opened on September, 9,647 kilometres away from me, in Hong Kong 🌊✨

Thank you Duncan for including me in this crossover of science and art, celebrating the 10th Anniversary of the Science Unit at Lingnan University.

It’s been an honour to collaborate with Dr. Jack Ip and his team, who study ocean mollusks using environmental DNA (eDNA), a method that looks for traces of life in water samples (or other samples) rather than capturing or killing.

This project was made from afar, me in the UK, them in Hong Kong, reimagining their perspective through field notes, data, and images made with a pinhole camera.

More soon about the process ✨

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Hong Kong

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