Sasha Friedman Photography

Sasha Friedman Photography Art photography from Tel Aviv

Photography begins where the event stops being the main thing.A walk, the sea, a child beside you, unfamiliar faces, the...
13/06/2026

Photography begins where the event stops being the main thing.

A walk, the sea, a child beside you, unfamiliar faces, the color red, a black-and-white street. At first glance, they are just fragments of one day. But if you look a little longer, the city starts editing itself: one color answers another, a random person becomes part of the rhythm, an empty corner holds a pause better than any explanation.

I like photography that does not need to prove anything. It is enough to notice how an ordinary day, for a second, became more precise than itself.

You can control the pose, the light, the expression.Not the presence. Shot on 35mm Ilford HP5.
16/05/2026

You can control the pose, the light, the expression.
Not the presence.


Shot on 35mm Ilford HP5.





Some people know how to enter a room quietly.Others change the entire balance of it just by being there.
15/05/2026

Some people know how to enter a room quietly.

Others change the entire balance of it just by being there.





The camera notices falseness pretty quickly.Maybe that’s why I’m always interested in the moment when a person stops thi...
14/05/2026

The camera notices falseness pretty quickly.

Maybe that’s why I’m always interested in the moment when a person stops thinking about how they look in the frame.

This series came out of that kind of state.

A few hours in an apartment.
Light from the window.
Conversations between frames.
And that short feeling of calm that usually lasts only a few seconds.





I keep coming back to the same things.The same streets, the same courtyards, the same faces for a second.Nothing really ...
24/04/2026

I keep coming back to the same things.
The same streets, the same courtyards, the same faces for a second.
Nothing really stays, except the way you looked at it.
And somehow, that is enough to keep going.





40 days of war. Today is the third day without it.The kids are already different. Not by age.Loud promises faded into si...
10/04/2026

40 days of war. Today is the third day without it.
The kids are already different. Not by age.
Loud promises faded into silence and the wait for the next war.
The real question is not when, but who we go into it with.




Day 36 of the war.We went to the sea not to feel that everything is okay.Just to let the kids run on the sand, to sit by...
04/04/2026

Day 36 of the war.
We went to the sea not to feel that everything is okay.
Just to let the kids run on the sand, to sit by the water, to make sure the day isn’t only sirens, news, and waiting.

Memory doesn’t hold on to fear alone.
It also holds on to moments like this:
sweet juice,
a cold cocktail,
the wind,
the sun,
a short pause where a family feels whole again.

And the space around it,
where everything becomes a little quieter, just for a moment.

Maybe that’s what keeps us from falling apart.





Summer in Charles Clore Park, Tel Aviv. Palm trees, grass, people relaxing on the ground and that soft seaside light tha...
20/11/2025

Summer in Charles Clore Park, Tel Aviv. Palm trees, grass, people relaxing on the ground and that soft seaside light that always feels nostalgic on black and white film.
Shot on Olympus Mju II (Mio 2) with Ilford Pan 400.

Address

Zvulon
Tel Aviv

Opening Hours

Friday 09:00 - 17:00
Saturday 09:00 - 17:00

Telephone

+972545819141

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