This is how I see

This is how I see (◍•ᴗ•◍)❤
Visual Artist | Designer | Sometimes Photographer

𝗗𝗮𝘆 𝟯 𝗼𝗳 𝘂𝘀𝗶𝗻𝗴 𝗮𝘀 𝗺𝘆 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗝𝗼𝘂𝗿𝗻𝗮𝗹 🌼Today’s bloom: — 𝑪𝒉𝒓𝒚𝒔𝒂𝒏𝒕𝒉𝒆𝒎𝒖𝒎, a flower of layers, colors, and quiet resilience...
10/03/2026

𝗗𝗮𝘆 𝟯 𝗼𝗳 𝘂𝘀𝗶𝗻𝗴 𝗮𝘀 𝗺𝘆 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗝𝗼𝘂𝗿𝗻𝗮𝗹 🌼

Today’s bloom: — 𝑪𝒉𝒓𝒚𝒔𝒂𝒏𝒕𝒉𝒆𝒎𝒖𝒎, a flower of layers, colors, and quiet resilience, blooming brightest when the world begins to cool.

𝗗𝗮𝘆 𝟮 𝗼𝗳 𝘂𝘀𝗶𝗻𝗴 𝗮𝘀 𝗺𝘆 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗝𝗼𝘂𝗿𝗻𝗮𝗹B- Begonia~Petals painted like tiny artworks, soft yet striking — today’s journal p...
09/03/2026

𝗗𝗮𝘆 𝟮 𝗼𝗳 𝘂𝘀𝗶𝗻𝗴 𝗮𝘀 𝗺𝘆 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗝𝗼𝘂𝗿𝗻𝗮𝗹

B- Begonia

~Petals painted like tiny artworks, soft yet striking — today’s journal page blooms with the quiet charm of begonias, reminding me beauty often hides in the details. ✨📖

Comment down name of a rare flower starts with letter C...

𝗗𝗮𝘆 𝟭 𝗼𝗳 𝘂𝘀𝗶𝗻𝗴 𝗜𝗻𝘀𝘁𝗮𝗴𝗿𝗮𝗺 𝗮𝘀 𝗺𝘆 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗣𝗵𝗼𝘁𝗼 𝗝𝗼𝘂𝗿𝗻𝗮𝗹A small beginning. 🌸Starting this digital photo journal with the qui...
08/03/2026

𝗗𝗮𝘆 𝟭 𝗼𝗳 𝘂𝘀𝗶𝗻𝗴 𝗜𝗻𝘀𝘁𝗮𝗴𝗿𝗮𝗺 𝗮𝘀 𝗺𝘆 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗣𝗵𝗼𝘁𝗼 𝗝𝗼𝘂𝗿𝗻𝗮𝗹

A small beginning. 🌸

Starting this digital photo journal with the quiet beauty of the 𝑨𝒔𝒕𝒆𝒓, a tiny star blooming in soft shades of patience. ✨

Comment down a rare flower starting with letter B.

Silence. Then the crunch. 🤎Turned my favourite indulgence into an editorial moment.Almond. Texture. Drama.How did I do, ...
20/02/2026

Silence. Then the crunch. 🤎

Turned my favourite indulgence into an editorial moment.
Almond. Texture. Drama.

How did I do, & .india ?👀✨

20/02/2026

RESPECT🫡, POWER🏋🏻‍♀️, BANANA🍌

14 February — a day of loss, a day of courage, a day to remember our heroes.
14/02/2026

14 February — a day of loss, a day of courage, a day to remember our heroes.

I'm deeply grateful to be part of the Shatayu Odisha movement—a transformative people's initiative envisioning a stronge...
03/02/2026

I'm deeply grateful to be part of the Shatayu Odisha movement—a transformative people's initiative envisioning a stronger, self-reliant Odisha by its 100th year in 2036.

Honored to have designed two editions of Shatayu magazine, blending cultural symbolism with the movement's revolutionary spirit.

𝘿𝙚𝙨𝙞𝙜𝙣𝙞𝙣𝙜 𝙛𝙤𝙧 𝙖 𝙈𝙤𝙫𝙚𝙢𝙚𝙣𝙩

Shatayu Odisha isn't just a campaign; it's a call to empower youth through education, digital literacy, and cultural pride, doubling tertiary education rates and more by 2036.

As a visual artist rooted in traditional Indian art forms, I infused the magazine cover with Odisha's folk essence symbolizing vitality and promise.

𝙒𝙝𝙮 𝙄𝙩 𝙈𝙖𝙩𝙩𝙚𝙧𝙨 ?

In Odisha, where higher education access lags, Shatayu aligns with my passion for cultural preservation via modern design. Contributing here feels like home—fueling self-esteem and progress for Odias everywhere. Grateful for this platform to blend creativity with purpose.

Join the movement: Pledge at shatayuodisha.in and let's build that proud future together!

Everyone’s searching for tea lately.Me?I let chai find me on the way ☕😌And yes that's asking for tea 😭
01/02/2026

Everyone’s searching for tea lately.
Me?
I let chai find me on the way ☕😌

And yes that's asking for tea 😭

Captured during a slower day,shared during a quieter one.Some escapes are timeless.
31/01/2026

Captured during a slower day,
shared during a quieter one.
Some escapes are timeless.

On an ordinary street, extraordinary motherhood unfolds.A mother cow turns movement into protection, traffic into backgr...
30/01/2026

On an ordinary street, extraordinary motherhood unfolds.
A mother cow turns movement into protection, traffic into background, and the street into home.
This is quiet strength, captured through street photography; where life speaks without words.

Bhubaneswar has always been a city that moves gently—between temples and tech parks, between old lanes and new flyovers....
29/01/2026

Bhubaneswar has always been a city that moves gently—between temples and tech parks, between old lanes and new flyovers. But lately, the streets tell a different story. The glow of headlights, long waits at bus stops, and tired commuters form a quiet narrative that often goes unheard.

The Ama Bus service, introduced with the intention of improving urban mobility, carries hope for thousands every day. Yet, in its current phase, several challenges surface.
Bhubaneswar now-a-days has repeatedly found itself in news headlines for a reason no city should grow used to — road accidents involving public transport, particularly Ama Bus services. Each headline fades with time, but the impact on families, witnesses, and the city’s collective conscience does not.

This visual piece, “Afterlife Transit ft. Chitragupta,” draws attention to that uncomfortable reality. Chitragupta, the cosmic recorder, is used here as a symbol of accountability and remembrance, not judgment. The streets become a ledger, silently recording moments where speed, visibility, road discipline, infrastructure gaps, or human error intersect with irreversible consequences.

The concern is not about delay, inconvenience, or service efficiency.
It is about safety.

***𝙏𝙝𝙞𝙨 𝙥𝙤𝙨𝙩𝙚𝙧 𝙞𝙨 𝙣𝙤𝙩 𝙖𝙣 𝙖𝙩𝙩𝙖𝙘𝙠 𝙤𝙣 𝙙𝙧𝙞𝙫𝙚𝙧𝙨, 𝙖𝙪𝙩𝙝𝙤𝙧𝙞𝙩𝙞𝙚𝙨, 𝙤𝙧 𝙩𝙝𝙚 𝘼𝙢𝙖 𝘽𝙪𝙨 𝙞𝙣𝙞𝙩𝙞𝙖𝙩𝙞𝙫𝙚 𝙞𝙩𝙨𝙚𝙡𝙛. 𝙏𝙝𝙚 𝙨𝙚𝙧𝙫𝙞𝙘𝙚 𝙧𝙚𝙢𝙖𝙞𝙣𝙨 𝙖𝙣 𝙚𝙨𝙨𝙚𝙣𝙩𝙞𝙖𝙡 𝙥𝙖𝙧𝙩 𝙤𝙛 𝘽𝙝𝙪𝙗𝙖𝙣𝙚𝙨𝙬𝙖𝙧’𝙨 𝙢𝙤𝙗𝙞𝙡𝙞𝙩𝙮 𝙚𝙘𝙤𝙨𝙮𝙨𝙩𝙚𝙢.

However, awareness is necessary so that:
•road safety protocols are reinforced,
•driver support and training are continuously strengthened,
•infrastructure and visibility issues are addressed,
•and pedestrians and commuters remain alert and informed.

Art, in this context, acts as a mirror — reflecting what newspapers report, what citizens discuss, and what the city experiences. If attention leads to caution, and caution leads to prevention, then the purpose of this work is fulfilled.

Because every journey recorded should end in arrival — not remembrance.

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Balasore

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