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Albeross

Welcome! I'm Albeross, a content creator and a travel photographer based in Bangkok and specialized in landscape, people and food photography.

Follow my explorations around the world and discover photography tips and tutorials. 📸🌍 Welcome to my official page!

📸 Travel Photographer | Content Creator | Expert in Photo Editing & Fine Art Prints

I'm Alberto Rossini, aka Albeross, a passionate content creator and travel photographer with over 8 years of experience capturing the beauty of the world. I've had the privilege of collaborating wi

th global brands like Nike, WeWork, and Mindvalley, creating visual content that not only tells stories, but also inspires those who watch it.

🌏 Global Explorations

My camera has taken me to remote and breathtaking corners of the world, from Kyoto to Machu Picchu, from Venice to Bangkok. Every journey is a new adventure and a new story to tell through the lens.

🎨 Transform your photos with my Cinematic Presets

I create Lightroom presets that allow photographers of all levels to transform their images into cinematic works of art. My presets are inspired by film aesthetics and are designed to make each shot unique and exciting.

🖼️ Japan themed photographic prints - UNIQUE

I offer a selection of high quality photographic prints that capture the beauty of Japan through my lens. Each print is carefully crafted to ensure maximum quality and durability, perfect for enriching any living or working space.

🌱 Cultural Sustainability

I believe in the power of photography as a means to promote cultural sustainability and bring people together. Currently, I am working on projects in Japan that I can't wait to share with you (they will involve you).

💡 Sharing and Inspiration

On this page, I share not only my photos and travels, but also photography tips, editing tutorials, and stories behind each shot. I want to inspire others to explore the world and see the beauty around us.

📬 Connect with Me

If you are passionate about photography, travel and culture, follow me to stay updated on my latest adventures and discoveries. Feel free to leave comments, share your thoughts, and connect with me!

03/06/2026

Rainy Kyoto Blues.

01/06/2026

Back with Monochrome Monday with some shots from a high passageway in Umeda.

Umeda is great for pretty much any kind of street photography and architecture photography, and I find myself going back there more and more to shoot. Will post more from this area in the next weeks.

29/05/2026

Kyoto Station's central exit is filled with pretty regular gray tiles.

BUT, what happens when the sky completely clears out after a few hours of rain? Those pretty regular grey tiles explode with the sky's deep blue tones and their vividness is accentuated by the water still lingering on them.

The result is you get some pretty amazing silhouettes of the people rushing across the station, and I hope you enjoy the selection of photos I am presenting you with this post.

27/05/2026

Shooting in Umeda, Osaka.

A great playground to capture candid street shots using a bit of help from the surrounding buildings. Like reflections and glass, for example.

22/05/2026

One of the things I love the most about Osaka is that I get out shooting with an idea in mind, say to shoot light trails and architecture.

But Osaka has other plans in the making for you, and then you get back home and take a look at your photos and find out you shot some light trails as well as EVERYTHING ELSE the city has to offer.

Osaka just throws everything at you, it's up to you to keep its pace and take notice.

20/05/2026

Sometimes I like shooting from low, looking up.

It gives everything that compressed, looming quality where signs and lanterns stack against the sky. Works really well here because Osaka's visual density rewards that perspective.

Red lanterns as a through-lines appear in every single frame, sometimes as the subject, sometimes just bleeding into the edge.
And that blue dusk sky, that early evening window where the sky still has color but the artificial lights are starting to pop.
Using signage as texture, not information, is key. I am not trying to read the signs, rather using them as graphic elements.

18/05/2026

Last bit of photos shot with the Ilford B&W film roll on my Nikon F3.

These ones complete the selection of shots I took in Osaka.

I tried to experiment the same way I would with my digital camera, shooting through glass and using reflections to complete the image, and I am kind of happy with the end result.

15/05/2026

Sometimes street photography is about finding the irony.
The thing that shouldn't be next to the other thing, but is. Nobody planned it, nobody staged it. It's just there, sitting in plain sight, waiting for someone to notice. That's the whole game really. Training your eye to catch what most people walk past without a second look.

Not every shot needs to be complex. Sometimes the simplest frame is the strongest one. Other times you want layers, something that makes people look twice and still not be sure what they're looking at. A good street session usually has both, and knowing when to go simple versus when to push it is half the craft.

Osaka does what it wants, and somehow it works.

13/05/2026

Kyoto Station sees something like 170,000 people a day. I spent a few hours there not looking for action, but for people who had stopped.

Most of these were shot through something. A window, a door frame, a layer of smoke. Part of that is technical: barriers add depth, texture, a second layer the eye has to move through before it lands on the subject. Those aren't just stylistic choices, they're how you got the shot without changing it. That's the craft angle worth talking about.

But honestly, part of it is just who I am. I'm an introvert with a camera, and shooting from a distance is also how I avoid disrupting the moment I'm trying to capture. The glass keeps me out of their space. That feels important.

住所

Kyoto-shi, Kyoto