Jeff D Wilson Photography

Jeff D Wilson Photography This is the official photography page for Jeff D. Wilson

Some places in the world are so interwoven with either divine goodness or rotting with evil from a tragic event that it ...
10/05/2026

Some places in the world are so interwoven with either divine goodness or rotting with evil from a tragic event that it becomes part of their essence. Stepping off the Miyajimaguchi ferry from Hiroshima, the bright orange O-tori gate rises from the sea with a silent greeting to this magical place. The massive wooden pillars give the impression of a cosmic doorway, leading to a serene universe inhabited by wild Japanese deer. They roam free among ancient temples, stone shrines, and bronze dragons. The residual sadness that clung to me after the Atomic Dome memorial was gone, and my restless soul felt at peace here. As I sat on a bench appreciating a joyful connection to nature, a deer approached like an old friend. I gave the animal several gentle pats before snapping a few pictures. Then it moved closer as if needing a hug, so I did. What it truly wanted was the mini-can of Pringles in my backpack, which it had sniffed out. The four-legged pickpocket had the snack out and the lid off before I noticed. The golden rule is to never feed the animals…but I could not resist those sweet doe eyes. After a couple of chips, the deer ambled down to the beach.
The dreamlike sequence continued as a lady pushed a double baby stroller with two standard-size white poodles. The pair was large, white, and fluffy. Dressed in silk geisha kimonos, they resembled twins. As the owner chatted with others who also had their little fur babies dressed up and in strollers, a crowd gathered around the unusual scene. The poodle twins sat for photos as if used to the paparazzi following them around. They were the chief attraction and knew it. Time was only an abstract concept on the island, but in the real world, we needed to catch the ferry back to the mainland. Traveling across Hiroshima Bay, I looked back from an open platform. Despite its diminishing size with distance, the gate still inspired awe. I spotted the deer further up the strand. It cast a tall shadow with its head up as if sniffing for scents in the cool breeze. I imagined a whispered goodbye when it gave a look back before turning the corner through a grove of tall trees…and fading into memory.

Bullet Train to Hiroshima     Arriving in Hiroshima from Tokyo, a cacophony of intrusive alarms, nonstop announcements, ...
19/04/2026

Bullet Train to Hiroshima
Arriving in Hiroshima from Tokyo, a cacophony of intrusive alarms, nonstop announcements, and the shuffling confusion of humanity going in every direction, pounced like a heavy wave of pressure. Disoriented, we exited the massive station at the wrong end and had to summon an Uber ride. The car agency was closing soon and now we were a couple of miles away. It cost $21.00 to be dropped off in an empty lot. As I explained that this was not the right place, a shuttle van showed up from the rental place and finished the last two blocks.
We loaded our stuff, and I jumped into the driver’s seat on the passenger side. Everything was the opposite with a Japanese vehicle. The turn signal was now the wiper control. I mixed them up as we pulled away from the station toward our hotel. Driving on the left side of the roadway felt strange, but I adapted out of necessity. A colorful city bus crowded into our lane as if we were not there, forcing me to swerve from disaster. A few blocks later, an old man on a bicycle came screaming out of the darkness. Cutting across heavy traffic, his wraith-like face looked terrified, as he barely missed hitting our car. My wife and daughter did not see the ghost on two wheels. They did not understand my second erratic swerving incident in less than a mile. Was he real?
When I made the hotel reservation, I assumed “adults only” meant “no children allowed”, which was true, but in reality, its specific purpose catered to the s*x trade. Their rooms were available hourly for romantic encounters, and s*xy outfits were on display in the lobby as rentals. Of course, I did not know this until we had already checked in. The front desk lady, who called me “Mr. Wee-saw” let me into our room because the door key did not engage the lock. She put it in and turned the opposite way, then kind of shrugged that I was an idiot. I should have realized everything is backwards in Japan. Another learning moment.
It was a nice, modern suite with oversized, thick wooden doors separating each room. This gave it a dungeon feel. After cleaning up, we ventured out to find a spot for dinner. Without knowing it, we ended up in the shopping mall attached to the train station. No wonder it was a half-hour walk from the wrong exit. Dozens of restaurants took up an entire floor. The delicious smells pulled us along until picking one with a varied menu. The cashier helped others, but refused us service with a dismissive wave as if we were pariahs. In disbelief, we found a 1950s-style cafe. The waiter brought our food, which was quite tasty, but never returned. Getting tired, I finally went up to the counter to pay our bill. On the way to the hotel, I only hit the wipers twice instead of the turn signal.
Settling into the room, I began noticing the same heavy presence as when arriving in Hiroshima. There was a palpable, dark vibe in the bathroom suite, especially around the oversized whirlpool bath, which created a gnawing sense that something dreadful had happened here. Perhaps the extensive travel, time difference, jet lag, and insufficient rest were playing tricks on my mind?
At 3:30 in the morning, a vivid nightmare shocked me from slumber. While conscious, I remained incapacitated and unable to move. Held down by an invisible mass of sorrow. The horrible dream was a scene of total devastation. Ghastly figures emerged from nowhere. They pawed at me as their terror-stricken faces melted to mush. I never felt so close to evil before. Our hotel was only blocks from the Atomic Bomb Dome and the original blast radius, where an entire city was vaporized in an unforgettable instant. A tragedy that created a fissure between the material plane and a place of suffering, with many lost souls caught in between. Tears streamed down my face, yet I was not the one crying. The pain and despair belonged to someone else; I was only the conduit for its release. With my wife’s loving help, I broke free from the spell.
We had planned to stroll around Peace Memorial Park, but settled for a brief stop at the dome. The building was a symbolic lone survivor of the unleashed fury from Little Boy. Now the structure faced a gradual decay caused by time, a last battle…we lose in the end.

24/03/2026

3... 2... 1... Go!

The patina has darkened on the bronze Hachiko statue through the years.  The exception is around his front legs.  They h...
21/03/2026

The patina has darkened on the bronze Hachiko statue through the years. The exception is around his front legs. They have remained shiny from tourists holding on while taking pictures. Sitting across from the Shibuya, Tokyo railway station, the memorial has become more than a favorite tourist spot; it embodies the entire district's culture, from branding to celebrations. The legend began when an Akita dog started following his owner to the train depot every morning and waited there after the workday was complete. Shopkeepers set their watches by his punctuality. The community observed this loyal companion and drew inspiration from his unwavering dedication, which continued even after the owner’s death.

As a fan of the motion picture Hachi with Richard Gere, I wanted to see this shrine during our visit to the city. We waited in a short line to get a photo. The polite custom of taking a picture for the person ahead impressed us. It kept things moving, and soon it was our turn. I handed my phone to the nice girl behind us, and she did the honors of capturing this special moment in time. After seeing the movie many times and getting teary-eyed when poor old Hachi makes his last walk to the station, it was a personal achievement making it here.

Next, we blended into a much larger crowd and waited to conquer the iconic Shibuya Crossing. Signs did a countdown before the lights for the massive intersection changed red to stop the endless flow of transportation. In a human wave, we moved as one. Some stopped in the middle for a selfie, many made videos as they walked, while some only wanted to cross to get home. Hundreds shuffled in a hurried but methodical fashion from every direction. A yellow warning flashed, and the stragglers hustled out of the way as the traffic roared back to life at the first second of green. A variety of street racers, delivery trucks, motorcycles, and Mario-style go-karts sped past, vying for position, evoking the feeling of a real-life video game.

An ocean of colorful neon stretched to the stars. The buildings featured giant, mesmerizing advertisements ranging from artsy and cosmopolitan to the absurd. The scrumptious scents from countless food vendors led our noses into an open market area. We chose a restaurant from a vast selection of posters. It was on the tenth floor of a high-rise building. When the elevator doors opened, it was a two-man operation in a residence, and they were cooking out of a broom closet. The guy sat us at the only table in their living room and gave out tall menus, with even bigger prices. I am sure they served only the freshest meals from their make-shift kitchen, as their ad board on the street claimed, but we passed.

We went from the penthouse to the basement and found another place. Evidently, the entire high-rise was nothing but mom-and-pop cafes. The next spot was a little more legitimate, with three tables divided in half by a red rope. We shared a spot with a young Japanese couple in business casual clothes. They were friendly, but also awkward toward each other, as if on a first date. Splitting their personal space with strangers was not ideal. They both stared down at their food, making hushed small talk while never acknowledging we were sitting with them. The seats opened up to store our coats, which was practical in the limited space. I picked veggies, crab, and pork with long, white, spaghetti-type strands, except thicker and more rubbery. It was a pay-by-the-bowl offering, but with a language barrier on my part, I ended up ordering double the noodles and triple the hot spice. We paid the cashier and handed her our container of raw goodies for the chef to turn into a popular Raman dish. When mine came back out, it was the size of a mixing bowl. The base was a syrupy rice-milk mixture, and it was not what I was expecting. With hunger pangs growling and the $20.00 cost of the meal after the money conversion, I dug in with my chopsticks. This was my first time using these utensils, and I did okay spearing the proteins, but the noodles were like slippery eels. Twirling, scooping, clamping onto them with the wooden sticks, nothing worked. The ones I did chorale dripped milky spots down the front of my shirt. When the reserved couple left, their bowls and area were sparkling clean. My part of the table had a bucket with enough noodles to feed Hachi for a year, with a pile of tiny napkins that I used to wipe my hands, face, and clothes. No wonder they did not make eye contact. I am sure it was a date they will never forget.

A scent of flowers hung in the breeze as we bought ice cream treats from a neighborhood vendor in the Azabudai Hills sho...
24/02/2026

A scent of flowers hung in the breeze as we bought ice cream treats from a neighborhood vendor in the Azabudai Hills shopping district. Hidden at the top of a double staircase was the Nishikubo Hachiman Shrine, a timeless wonder nestled beneath the Manato skyscrapers. Chirping birds and rustling prayer requests pinned to a tapestry of strings replaced the traffic noise. Stone lions stood watch over the sacred grounds and welcomed us to a vanished world. We paused for a break of meditative peacefulness at the wooden temple featuring striking angles, massive carved beams, and bold arches, which highlighted the remarkable feat of craftsmanship. Although we found this magical place by lucky happenstance, it reinforced a growing respect and wonderment of Japan, where something incredible is…right around the next corner.

A true masterpiece has always been considered a physical work, which remains unchanged while transcending the ages.  Ent...
19/02/2026

A true masterpiece has always been considered a physical work, which remains unchanged while transcending the ages. Entering teamLab in the Azabudai Hills Garden Plaza instantly challenges my understanding of creative expression. Instead of looking as an observer, I become part of the artwork. My curious touch makes flowers bloom up the walls and colorful sea life change directions in Sketch Ocean, while blending into spiraling patterns streaking across the floors. Drifting through each installation, I am enveloped by immersive four-dimensional universes, mystical musical sounds, and innovative computer designs, beyond the limitations of traditional introspection. It expands my self-awareness that life is the true precious treasure…each minute a fleeting illusion, based on my perception of beauty.

08/02/2026

Every day is a blessing; be thankful for what you have.

With sunrise peeking through a dimming skyline, we arrive at Senso Ji Temple in Asakusa, Tokyo.  The colorful vendor hut...
07/02/2026

With sunrise peeking through a dimming skyline, we arrive at Senso Ji Temple in Asakusa, Tokyo. The colorful vendor huts lined up on Nakamise-dori Street prep food offerings and stocked their shelves for the coming day. Stepping through the massive pillars of Kaminarimon (Thunder Gate), we pass beneath a giant red lantern onto the hallowed grounds, which began with a single statue centuries ago. A peaceful joy takes hold of me as we stroll through a perfect blend of flawless architectural marvels and the timeless beauty of nature. A five-story pagoda, constructed in 625 A.D. then rebuilt after it was destroyed during the air raids of World War II, captivates my attention as it gleams in the morning sun. Entering the Kannondo Hall transcends the physical world to an age when the Sh**un warriors found refuge here. A wispy smoke-tail of incense floats in the breeze like a misty mountain path, offering me a journey to a simpler time. The fragility of the moment connects me to a higher power beyond my dreams and reminds me to be thankful…for all that I have.

Since 1952, the first cultural institution in Japan dedicated to the preservation of creative works, has continued to ex...
25/01/2026

Since 1952, the first cultural institution in Japan dedicated to the preservation of creative works, has continued to expand its grounds and unique collection of priceless treasures. Strolling through the National Museum of Modern Art, Tokyo (MOMAT) offered us a brief journey through time. The works range in topics from the days of feudal warlords to the rebuilding years of peace, growth, and prosperity. The exhibition includes everything from delicate silk works that depict the love of nature, a prevailing cornerstone of Tokyo culture, to oil paintings of the industrial age and military buildup of the Imperial Japanese Army. Contemporary prints and sculptures using wood, metal, and bright acrylic elements are bold, playful, and innovative, while also provoking thought. Each work is a personal expression by the greatest artisans in Japan’s history. My favorite was Kannon Bodhisativa Riding the Dragon by Harada, Naojiro, painted in 1890. Listed as a National Important Cultural Property, it is a long-term loan from Gokokuji Temple. This stunning masterpiece is the jewel of the museum and a defining moment of my visit. The colors are vibrant and match well with the gleaming gold frame. The years since its creation have not lessened its visceral impact. In stark contrast, a work called Two stains No. 2 by Enokura Koji, created in 1976 and composed of silkscreen and waste oil, is boring and unimaginative. It sparks conversation, but does that make it art? I am not sure what two poo-like blotches on an empty canvas are supposed to mean on a deeper construct? Occam's razor states that the simplest explanation is likely the truth. This might lead some to think that his dog created this work by accident. If this hypothesis is true, should the “canine Picasso” get credit on the artisan name plaque instead of Koji? I don’t think it will transcend time like Riding the Dragon.

When the tall ornate gate doors opened, we crossed the bridge over the Hirakawa moat and entered the Imperial Palace Eas...
19/01/2026

When the tall ornate gate doors opened, we crossed the bridge over the Hirakawa moat and entered the Imperial Palace East National Gardens. The Tokugawa sh**unate built the imposing walls of the outer defenses from stones of immense weight. Skilled workers cut and placed massive boulders with mind-blowing precision, creating an engineering marvel that has lasted centuries. The scent from countless flowers hung in the air as we strolled by the Edo Castle ruins. Vibrant plants and trees, cultivated from seed through generations, still stood the test of time by blossoming to life every spring. Schoolkids in colorful pressed uniforms strolled by. The two boys wore shorts, dress shirts with little ties, and the girls were clad in matching blouses tucked in pleated skirts. Policemen began crowd control training in an open area. Their plastic shields thudded against the ground and reverberated through the rows of lemon trees. I imagined they were sh**un warriors preparing for battle against warring clans. Closing my eyes, the years between passed like a whisper in the wind. Everything was different, but nothing had changed.

住所

Asakusa 2-3-1
Taito-ku, Tokyo
111-0032

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