L'Atelier by Maher Attar

L'Atelier by Maher Attar L’atelier by Maher Attar is a multifunctional creative space: Art Hub, Studio & Gallery. Art is knowing which ones to keep'.

Maher Attar is a Creative Consultant specialized in Portraits & Fine-Art photography.
'Creativity is allowing yourself to make mistakes. Photography is probably the most accessible and rewarding of all forms of art. It can record faces or facts just tell stories. It can shock, entertain, and educate. It can capture, and elicit, emotions, and it can record details with accuracy and speed.

Today, August 4th, is a day of painful memories for Beirut and for Lebanon.We remember all those who lost their lives, t...
04/08/2026

Today, August 4th, is a day of painful memories for Beirut and for Lebanon.

We remember all those who lost their lives, those who were injured, and the countless families whose lives were forever changed by the Beirut Port explosion.

May we continue to honor their memory with dignity, compassion, and hope for a safer future.

25/06/2026

Currently on man’s parking duty while Lina auditions every shop in the city. 😅😅

When the photographer becomes the subject.
23/06/2026

When the photographer becomes the subject.

I would like to express my sincere gratitude to the Institute of Art in the Arab World at the School of Architecture & D...
03/06/2026

I would like to express my sincere gratitude to the Institute of Art in the Arab World at the School of Architecture & Design at the Lebanese American University for the opportunity to share my journey and reflections on campus in November 2025. It was a privilege to discuss the role of photography in documenting history and human resilience.

As a token of appreciation, I am honored to donate an artist proof (AP 3/6) of my iconic 1985 photograph from the Lebanese Civil War to the Lebanese American University Library (Riad Nassar) as a permanent addition to its collection. I hope this work will serve as an educational and historical reference for students, helping preserve the memory of that period while encouraging reflection on the consequences of war, the resilience of the human spirit, and the value of peace..

Maher Attar, photographe, raconte « la guerre de trop » qui l’a brisé.À 63 ans, cet ex-reporter pensait en avoir fini av...
02/05/2026

Maher Attar, photographe, raconte « la guerre de trop » qui l’a brisé.
À 63 ans, cet ex-reporter pensait en avoir fini avec les cycles de violence. Mais voilà que ce dernier l’y replonge. À travers cinq clichés emblématiques, il livre sa mémoire douloureuse de citoyen issu d’une génération sacrifiée.
L’OLJ / Par Zéna ZALZAL , le 31 mars 2026

« En 1973, j’avais dix ans. Je rentrais de l’école lorsque, pour la première fois de ma vie, j’ai entendu l’alerte de la guerre. Je me souviens de ce jour avec une netteté troublante, comme suspendu dans ma mémoire : les gens couraient, les visages étaient tendus, la peur traversait les rues comme un vent invisible. Je ne comprenais pas encore ce qui se passait, mais je sentais qu’un voile venait de se déchirer dans la tranquillité de la vie. Deux ans plus t**d, en 1975, la guerre civile éclatait, bouleversant durablement le pays (…) », écrit Maher Attar dans un texte émouvant, récemment posté sur ses réseaux sociaux, dans lequel il livre des bribes de son parcours en lien avec la douloureuse mémoire d’un Liban soumis sans répit à des « épisodes de violence ».

لقطاته جزء من الذاكرة الجماعيّة

ماهر عطّار: الصورة ثُقلِق السلطة لأنها
تكشف المخفي
بينما تسيطر الحرب التي أدخل فيها «حزب اللّه» لبنان، على تفاصيل الحياة اليومية للبنانيّين ويكاد القطاع الفني يختنق تحت ثقل الأزمات، تبرز في البلد مساحات للإبداع تحاول قول ما يختلج في النفوس والتعبير عمّا هو أبعد وأعمق من السياسة الآنيّة. في قلب هذه المشهديّة، يقدّم المصوّر اللبناني الفرنسي ماهر عطّار، تجربة مختلفة لا تكتفي بعرض الفن، بل تحوّله إلى فعل مقاومة ثقافية حيّة تجمع بين الصورة واللوحة.

April 13Fifty-one years have passed, yet the date still breathes with a weight that time has never managed to lift. It i...
13/04/2026

April 13

Fifty-one years have passed, yet the date still breathes with a weight that time has never managed to lift. It is not just a memory, it is an echo that lingers in the streets, in the silence between conversations, in the inherited fears and unspoken grief.

On April 13, 1975, the Lebanese Civil War began. not only as a clash of arms, but as a fracture in the soul of Lebanon. What followed was not just years of violence, but decades of consequences that still shape lives, choices, and destinies.

Fifty-one years later, we do not remember only to mourn. We remember because forgetting would mean allowing the same darkness to return unnoticed. We remember the lives interrupted, the homes abandoned, the dreams rewritten by survival. We remember a country that once stood whole, and the long, unfinished journey to rebuild not only its streets, but its trust.

And yet, within this remembrance, there is something else, something stubborn, almost defiant. A refusal to let that day define the future as much as it defined the past. A quiet insistence that memory can be a form of resistance, and that acknowledging pain is the first step toward not repeating it.

April 13 is not just a date.
It is a responsibility.

To remember,
to question,
and above all, to choose differently.

Art in a Time When the Voice Falls Silent
When hope turns into painالفنّ في زمنٍ ينهار فيه الصوتحين يتحوّل الأمل إلى ألم...
09/04/2026

Art in a Time When the Voice Falls Silent
When hope turns into pain

الفنّ في زمنٍ ينهار فيه الصوت
حين يتحوّل الأمل إلى ألم

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L'Atelier By Maher Attar
Beirut

Opening Hours

Tuesday 12:00 - 18:00
Wednesday 12:00 - 18:00
Thursday 12:00 - 18:00
Friday 12:00 - 18:00
Saturday 12:00 - 18:00

Telephone

+96171152223

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