02/12/2019
อันนี้ดีย์
สูตรปรับ Film Simulation หรือโหมดจำลองฟิล์ม ในกล้องฟูจิจากช่างภาพระดับโลก เอาไปตั้งค่าในกล้องได้เลยครับ
ทุก Film Simulation ตั้งค่ากล้องไว้ที่ DR: AUTO, Noise -3, Grain: Off, Sharpness -1 ยกเว้นมีการตั้งค่าเป็นอย่างอื่นนะครับ
Origin: Based on William Eggleston's sombre but beautiful rich colour work using the old Kodachrome.
Intent: Whenever I want a rich, warm and nostalgic feel, this is the one to go for. Also surprisingly good for dystopian brutalist architecture. A good all-rounder.
Film Simuation: Classic Chrome
Grain Effect: Off
Highlight Tone: +2
Shadow Tone: +2
Colour: -2
Origin: Designed to have the colours matching reality, with low contrast. Matches the sort of look used in the New Topographics movement that Sternfeld helped pioneer.
Intent: Capturing that oddly beautiful banality of empty urban spaces.
Film Simulation: Provia
Highlight Tone: -2
Shadow Tone: -1
Colour: -3
Origin: That beautiful B&W documentary 35mm work that Mary Ellen Mark was famous for.
Intent: The go-to Acros simulation. Perfect for documentary, portrait and fashion.
Film Simulation: Acros Yellow Filter
Highlight Tone: +2
Shadow Tone: 0
Origin: Based on the look that now legendary Japanese street photograph Daido Moriyama was famous for.
Intent: Anything grungy, raw and primal from gig photography to night-time urban. Also a wildcard for any situation to jolt me out of complacency.
Film Simulation: Acros Red
Dynamic Range: DR100
Highlight Tone: +4
Shadow Tone: +4
Origin: Great American street-photographer who documented the increasing conformity of 70's suburban America.
Intent: Going back in time using a machine to document the increasing conformity of 70's su... no, wait. Er, not sure. But I've always loved Winogrand. Urban street work in good light.
Film Simulation: Acros
Highlight Tone: -2
Shadow Tone: -2
Origin: Known mainly for working the Classic Chrome and Acros, Fujifilm X-Photographer LaRoque is something of a modern inspiration for me and my blog. He once knocked my socks off with what he did with a series of very soft, slightly ethereal Pro-Negative portraits, which I'd never considered before.
Intent: Portraits. Also a flat profile to work off if I ever want flexibility with a base of great skin tones and colour accuracy.
Film Simulation: Pro Negative
Grain Effect: Weak
Highlight Tone: -2
Shadow Tone: -2
Colour: -1
Sharpness: -4
Origin: I don't think John Bulmer, the great British photographer, ever actually shot Velvia. But his inventive documentary colour work possessed a remarkable vibrancy.
Intent: Bulmer's Northern industrial scenes remind me that Velvia isn't just for the Steve McCurry jaunts through India, but for really bringing out spashes of colour in otherwise dour scenes - hence mainly urban shooting with a bit of nature when all the colour isn't too overpowering.
Film Simulation: Velvia
Grain Effect: Weak
Highlight Tone: -2
Shadow Tone: +2
Colour: -2
ดูรายละเอียดเพิ่มเติมได้ที่ http://petetakespictures.com/blog/filmandvision
