ProductionFor

ProductionFor Make More Happen. For brands and agencies that need content production at scale. Video | Animation | Live | Multi-Lingual | Photo For. You.

Traditional marketing models are being turned on their heads as fast as innovation allows. In a busy marketplace with tons of noise, the search is perpetually ongoing for fresh ideas, compelling stories, and new ways of engaging. We are ProductionFor: a video production company to our core with collective decades of experience under one roof. Our ability to understand our clients and their audienc

e sparked a natural evolution into more full service creative offerings. We are creatives, we are artists, directors, writers, cinematographers, photographers, editors, animators, designers, social media moguls, and above all, we are storytellers. We want to tell your story…after we do our homework. We are ProductionFor: Production.

06/30/2026

Making World Cup dreams come true with Hisense

Featuring:
Gameroomtheater
juegodedoce
Valeria Marín
The Bello Bros



Thanks to Nathan Baker for bringing us along this fun ride!

We spent a few weeks across the U.S., Canada, and Mexico, filming surprise home makeovers with Hisense and featuring Gam...
06/23/2026

We spent a few weeks across the U.S., Canada, and Mexico, filming surprise home makeovers with Hisense and featuring Gameroomtheater, juegodedoce, Valeria Marín, , , and

The series launched ahead of the World Cup, and the timing landed. Over 27 million people watched a single match on U.S. television alone. Viewership is up 128% over 2022. Hisense is one of the official sponsors, and this campaign is part of how they showed up.

Huge thanks to Baker .elixir for bringing us along this fun ride!

Check out the project at profor.com/work/hisense

04/17/2026

Fun times on set at Sherwood Forest Faire!

BTS from the spot directed by Josh Logan. Check out his impressive career on www.profor.com/directors

04/14/2026

New work with director Josh Logan — and we're excited to welcome him to the ProFor roster! https://www.profor.com/directors/josh-logan

With a career spanning special makeup effects, visual effects, sound design, and post-production supervision, Josh has worked on titles including The Passion of the Christ, Apocalypto, Stoker, and Annabelle, among many others.

That depth across disciplines shapes how he directs. Having worked in every corner of a production, Josh brings a hands-on, technically grounded sensibility to his work that is hard to find.

His directorial credits include the award-winning short Lunch Ladies, selected by over 200 film festivals, and The Relic, currently in development as a feature franchise.

We're happy to share our latest collaboration: "Faire is Family" for Sherwood Forest Faire.

Check out his director page on our site: https://www.profor.com/directors/josh-logan

04/09/2026

Great story from the set of Tulsa King, and one line from Stallone that stuck with us. It got us thinking about commercial content too. Is this era of quantity over quality a net positive? Are we writing, or just typing?

Full conversation with Todd McMullen: profor.com/talks

04/07/2026

Great story from Todd McMullen's early career, working on Casino for Scorsese.

For more stories about working with giants like Aaron Sorkin, Stallone, and Taylor Sheridan - watch our full interview: profor.com/talks

We had a great time chatting with him, and we're grateful to have him on our roster: profor.com/directors

04/04/2026

PROFOR TURNS 15! 🎉🥳

Looking back at these 15 years of telling great stories, working with wonderful people, and filming across the country and the world, all we can say is: THANK YOU ALL for being part of this amazing journey together!

Happy Birthday to all of us, and here's to many more years of fun!

04/01/2026

While Creative departments debate whether AI video is good enough for advertising (or if it ever will be), Legal departments scratch their heads over whether it's COMMERCIALLY SAFE for a brand to use.

Most popular tools train on unlicensed data, which creates legal exposure in paid media, broadcast, and global markets.

In this case study, we looked into how to satisfy both departments at once. We imagined a live-action shoot that needs just one AI shot traditional production couldn't handle on budget. Then we built the workflow: commercially licensed platforms, iterative prompting, and a hand-crafted post-production pass to make it hold up next to real footage.

Here's the full breakdown of the workflow and when this approach makes sense versus when it doesn't: https://www.profor.com/post/commercially-safe-ai

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