Fabrice Trombert Photography Inc.

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06/04/2026

Dan Ahdoot does a lot!!!! Impractical Jokers, Tours, Specials and Standup!!!
So we asked the real question.

What is his inspiration?

Where does he get his material?

And how many therapist does he actually have?

This is what he told us.

Without the Room backstage at standupny

06/03/2026

Dan Ahdoot does a Jake Tapper impression. It’s scary how good it is.

Watch 20 seconds of vintage Dan backstage. Even without the room he’s a funny guy!!!

Full interview tomorrow. Without the Room.



06/02/2026

Sometimes a portrait says everything you need to know!!!!!! Dan Ahdoot in today’s spotlight!!!
Without the Room. Backstage
Full interview drops Thursday.

06/01/2026

We sat Dan Ahdoot down and asked him one serious question.
He laughed. Then things got weird.
Tomorrow. Without the Room. You’re welcome!!!!!!

danahdoot

05/28/2026

FOURTEEN years at Stand Up NY!!!!!
Countless sets. Packed rooms. Crowd work moments nobody can forget.
Before heading to LA, Wellie Jackson performed one last time, a last NYC headline show on May 15.
From touring with Tracy Morgan and Tiffany Haddish to headlining at the Apollo and now heading to LA to star in the upcoming film Damn Knicks, Wellie’s been building this moment for years, and this night with a roaring crowd and standing ovation was the perfect send off.
What you see on stage is only part of the story. “Without the Room” captures the work, pressure, passion, and honesty behind the comic everyone knows once the spotlight turns off.
Backstage at Stand Up NY.

05/25/2026

Without the Room is here!!!!!!!

A new portrait and interview series shot backstage at Stand Up Ny. In depth portraits paired with raw, unfiltered conversations. Capturing comedians when they are not working the room. These are today’s truth tellers.

It’s an honor to have Wellie Jackson as our inaugural comedian and actor.

Come and join us for a few laughs.



05/11/2026

Years ago I called Jimmy Fallon to line up a shoot for a magazine. He was deep in SNL rehearsals and said he had no time. I told him take the subway down to Prince Street, we shoot on the platform, you’re back uptown in an hour. He did. We shot and he left on the uptown side. These are the frames we made.
nycphotographer filmportrait

03/02/2026

As I drive through the rumbling countryside of Bretagne, I can’t wrap my head around how the land keeps rearranging itself. Every corner offers a new perspective, like the place is turning its face toward you, then away again. Houses sit low in the fields, quiet and watchful, and the distance feels closer than it should, as if memory is doing the focusing.
Some places feel remembered before you arrive. This is part of my ongoing series, Unstable Landscapes, where the familiar slips into something older, worn, and slightly unreal, like a photograph that’s been carried too long in a pocket.

02/09/2026

Out on the Connecticut Sound, everything gets simple in the way that only big water can make it simple. Sky, glare, wind, and one boat cutting a thin line through all that indifferent beauty. The catboat looks like a silhouette from another century, a dark sail against a bright sheet of silver, moving with that old logic that does not need explaining. You do not fight the Sound. You read it. You give in at the right moments. You hold steady when it matters.
That is what I wanted to keep here. Not just a boat on water, but the feeling of being small in a way that cleans you out. The tintype wear is not decoration. It is the texture of time, the salt, the scuffs, the memory of weather. A reminder that nothing stays pristine, and that might be the whole point.
Go to https://fabricetrombertprints.darkroom.com/ to purchase your limited print edition.

02/01/2026

I found this street in Bretagne the way you find a memory, by accident and by feeling. The shutters were half closed, the façades worn soft by decades of rain and salt air, and the whole row of buildings seemed to lean toward the road as if listening for news that never arrives. Then the Deux Chevaux rolled through, slow and stubborn, like it had been doing this route since before anyone started calling it nostalgic. For a moment the present thinned out and the past showed its face. Not as romance, but asS rhythm: work, weather, waiting, lives lived behind those windows. I made this image as a small relic of that quiet theatre, a place where time does not stop, it simply ages beautifully. igned limited edition prints available via the link in my bio. If this street could tell you one thing it has learned about time, what would it say?

Which life do you imagine behind those shutters, and what are they waiting for?

When the Deux Chevaux drifts through the frame, what does it wake up in you: longing, calm, or a hunger to go back and fix something?

Address

Brooklyn, NY

Website

http://www.blog.fabricetrombert.com/

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