Shon Curtis

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Shon Curtis Creative Director & Photographer
Founder, Shon Curtis Based in Ohio. Working nationally.

Creative Director and photographer building brand, campaign, and content systems rooted in culture, strategy, and visual integrity. I partner with brands, institutions, and organizations to translate identity and purpose into cohesive, impactful creative.

A brand built on curls just launched a flat iron.The alchemy of kink and curl pressed between heat and metal leaves a sc...
10/09/2026

A brand built on curls just launched a flat iron.
The alchemy of kink and curl pressed between heat and metal leaves a scent we all remember.

That ritual is what PATTERN Beauty fans kept asking for. Tracee Ellis Ross told Essence she heard “What about a flat iron?” a lot.

So she went looking for her champions. The bob is all over our For You pages right now, and the sleekest silk-pressed bob out there belongs to ._paak alter ego, DJ P*e .Wee. Add and her ultra-sleek styles, and the casting almost picks itself.

The rollout put the three of them in bob-offs and throwback vignettes of earth tones, vinyl, and black leather. Playful, and still soulful.

That’s what I’d sample. Instead of explaining the product, she cast people the audience already trusts to be silky, so the claim lands before any copy does.

What I’d flip: the campaign lives at the finished bob. I’d follow the round trip. In many homes, Fall means trading protective styles for a press, and spring brings the curls back. Ross said it herself: after the heat, “you can go right back into your curls.”

I remember my mother at the kitchen table before work, mirror ready, flat iron in hand. The press was armor she put on before heading into the trenches of hospital work. A hard shift would sweat it out, and the next morning she’d sit down and start again.

That’s the round trip I’d show. A curl brand selling heat works when the curls stay home base. Show the whole trip and the iron becomes part of the versatility PATTERN already stands for.

Brand folks, when your product stretches past what you’re known for, how do you keep it feeling like home?

The Dig #2 | PATTERN Beauty
Photo: Hazzan for PATTERN . Creative direction: Tracee Ellis Ross.

A lot of businesses know when they need new photos. Fewer stop to ask what those photos are actually supposed to say.Tha...
08/12/2026

A lot of businesses know when they need new photos. Fewer stop to ask what those photos are actually supposed to say.

That’s the part of the work I’ve become increasingly interested in.

I created this beauty spec project to explore a simple idea: beauty can still feel polished, aspirational and premium without removing the humanity from the person.

That decision affected everything. Casting. Lighting. Skin tone. Texture. Retouching. Product interaction. Even the expressions I wanted from the talent.

The photography came after the point of view.

And that’s really what creative direction is.

It isn’t just making something “look cool.” It’s deciding what we’re trying to communicate, what we want people to feel, what visual language supports that idea, and then making sure every creative decision points in the same direction.

I think there’s a huge opportunity for more Dayton businesses to work this way.

A new menu doesn’t automatically need another food shoot.
A rebrand doesn’t automatically need another headshot session.
A product launch doesn’t automatically need another batch of social content.

Sometimes you need to figure out the idea first.

What should this campaign say? Why should somebody care? What should your business feel like after they see it? What should the photography, video, design and messaging all have in common?

That’s the difference between producing assets and building a campaign.

I want to do more of the latter.

So if you’re a Dayton-area founder, restaurant, hospitality brand, retailer, beauty or wellness business, institution, or organization planning a launch, rebrand, seasonal campaign or next chapter, I’d love to help you develop the creative direction before anyone starts making content.

Creative Direction + Campaign Photography
Shon Curtis
shoncurtis.com

If you have something coming up and aren’t quite sure what the campaign should be yet, send me a message. That’s actually the best time to bring me in.

One of the most important parts of my job has very little to do with a camera.It's observation.Whether I'm sitting with ...
06/12/2026

One of the most important parts of my job has very little to do with a camera.

It's observation.

Whether I'm sitting with a chef, a founder, an artist, or a conductor, I'm paying attention to the things that exist beneath the title.

How they carry themselves.

How they make decisions.

What they value.

What they notice that others miss.

A portrait session is often less about directing someone and more about creating enough space for them to reveal who they already are.

When Keitaro Harada stepped into the studio, there wasn't much instruction needed.

There was already a deep sense of intention in the way he moved, paused, and occupied the room.

The camera simply became a witness.

The longer I work, the more convinced I become that great leadership, great hospitality, great art, and great storytelling all begin in the same place:

The ability to pay attention.

Whether I'm sitting with a chef, a founder, an artist, or a conductor, I'm paying attention to what lies beneath the title.

03/31/2026

This test became a turning point.

Not just in what I photographed — but in how I approached the entire production.

Casting. Team building. Visual direction.
Letting skin, tone, and presence lead.

This is the new standard for how I create beauty work.

Tag a beauty brand that should see this.

Model .Monique_
Rep
MUA

03/04/2026

Every portrait session holds a story, but some moments carry a little more weight.

When Leroy Bean stepped into the studio, he had just come off a national tour with Tripp Fountain. The energy in the room was different — reflective, grounded, and full of gratitude for the journey that brought him there.

This session wasn’t just about creating portraits. It was about honoring a season of becoming.

As a photographer, those are the moments I care about most — helping people pause long enough to recognize where they’ve been and who they’re becoming next.

The Refresh Session was built for exactly that kind of transition. Entrepreneurs, artists, leaders, and creatives who feel the shift happening in their life and want images that truly reflect it.

If you’re stepping into a new chapter and want portraits that align with who you’ve become, I’d love to help you tell that story.

Start the conversation here:
shoncurtis.com/refresh

Book a call and let’s begin your refresh.

Who owns you after you’re gone?Meta filed and was granted U.S. Patent 12513102B2, titled “Simulation of a user of a soci...
02/27/2026

Who owns you after you’re gone?

Meta filed and was granted U.S. Patent 12513102B2, titled “Simulation of a user of a social networking system using a language model.” It was filed in November 2023 and officially granted on December 30, 2025.

The framing inside the patent is what stopped me.

Here’s how the problem is described:

“If that user is absent from the social networking platform, the users connected to the user do not receive any content from the user during that user’s absence… The impact on the users is much more severe and permanent if that user is deceased and can never return to the social networking platform.”

Notice what’s centered.

Not grief.
Not family.
Not dignity.

The absence is framed as a disruption to the platform.

The patent then explains the system would use a language model:

“The language model is trained based on past user interactions by the target user and therefore generates responses and content that the target user would have provided in a given context if the target user was available to respond.”

And even more directly:

“As a result, the other users may not notice an absence of the target user even though the responses are generated by the bot.”

That language matters.

The most dangerous technologies aren’t the loud ones. They’re the ones framed as convenience.

I work in storytelling. I work in digital media. I believe deeply in the creative potential of AI — for restoration, accessibility, preservation, and innovation.

But there is a line between augmentation and automation of personhood.

When we design systems that simulate the dead — especially with the stated goal that others “may not notice” — we are no longer just building tools. We are shaping cultural norms.

Design philosophy becomes cultural philosophy.

Historically, bodies and identities have been commodified without consent. We should be extremely careful about normalizing digital versions of that same logic — particularly when profit is embedded into the architecture.

What are we optimizing for?

Engagement?
Continuity?
Revenue?
Or humanity?

The benefits of AI are enormous.

So are the consequences of unexamined implementation.

We don’t need panic.
We need vigilance.

Technology should extend life — not extract from it.

What would you want done with your digital presence after you’re gone?

02/24/2026

Building campaigns means thinking beyond single moments.

Every decision — lighting, composition, pacing — supports a larger system.

Creative direction is about alignment.

Address

31 S Main Street
Dayton, OH
45402

Opening Hours

Monday 8am - 6pm
Tuesday 8am - 6pm
Wednesday 8am - 6pm
Thursday 8am - 6pm
Friday 8am - 6pm
Saturday 8am - 6pm

Telephone

+19377891727

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