Glenn Steiner Photography

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I specialize in conceptual advertising photography, creating unique visual solutions for Fortune 500 corporations in high technology, industrial, and medical fields, with special emphasis on people at work. I shoot photography assignments for ad agencies and graphic designers, creating visual solutions that satisfy their (our) clients' needs for advertising, web and brochures.

Wishing you all a very Merry Cali Christmas!>>© Glenn Steiner 2024 (http://glennsteiner.com) #ΚαλάΧριστ...
12/20/2024

Wishing you all a very Merry Cali Christmas!
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© Glenn Steiner 2024 (http://glennsteiner.com)
#ΚαλάΧριστούγεννα

08/23/2024

Charting new waters, different harbors whilst exploring the many islands of Greece; I leave in less than two weeks now, my soul stripped to the bone, camera in-hand, moleskine in pocket, moleskins on my sandaled feet.
One studies the Greek diaspora all year long ...and now to see the real thing, as if for the very first time.
The smallest islands are still pure!
I love being on a particular ferry going somewhere, seeing something that looks interesting and then jumping ship in search of the real Greece.
Sometimes, I just love jumping ship into the unknown.
-GRS (8/23/16)

“Taxes? Taxes! No rest for the wicked!” An advertising assignment for Patrick J. Murphy Advertising for a time manage...
04/15/2024

“Taxes? Taxes! No rest for the wicked!” An advertising assignment for Patrick J. Murphy Advertising for a time management company in our San Diego photo studio. All on one sheet of 4x5 film!
© Glenn Steiner 2010 (http://glennsteiner.com)

Happy Labor Day!“Manufacturing Welder,” a well-lit film shoot for Amtech Corporation as part of a three day shoot in Tij...
09/05/2022

Happy Labor Day!
“Manufacturing Welder,” a well-lit film shoot for Amtech Corporation as part of a three day shoot in Tijuana, MX
© Glenn Steiner Photography 1991 (http://glennsteiner.com)

This week-long assignment shoot at San Diego’s Kaiser Electro Optics was a multilayered story-telling experience. Given...
08/24/2021

This week-long assignment shoot at San Diego’s Kaiser Electro Optics was a multilayered story-telling experience.
Given that KEO was an ‘optical’ company, I designed and lit shots within shots.
We set up the first ‘still life’ finding a secretary with perfect hands to be fine-tuning the construction of a lens, hence the red fingernails.
The gentleman behind the lens was lit and layered separately to illustrate the concept of quality control. We focused a spotlight through his lens illuminating his face.
This became the cover shot of the KEO brochure for Ganyon + Ellis Advertising, photographed with my venerable Nikon f2 using Kodachrome.
© Glenn Steiner Photography 1985 (http://glennsteiner.com)

The venerable ‘pop and drag’ technique also allows industrial and corporate photographers to perfectly capture both a ha...
08/17/2021

The venerable ‘pop and drag’ technique also allows industrial and corporate photographers to perfectly capture both a hardware and a computer screen on one piece of 4x5 large format film.
This assignment for Hewlett Packard with the great designer Richard Floyd of Floyd Design Associates (rip) was shot on location with no retouching. Rich, on this assignment wanted to “go Hollywood” to hide imperfections in the equipment casing. Rich picked the colors to match his graphic design for the HP brochure. This was shot on location in Mountain View.
© Glenn Steiner Photography 1989 (http://glennsteiner.com)

This industrial welder shot is actually a portrait of light. We used what we call a “pop and drag” technique, combining...
08/16/2021

This industrial welder shot is actually a portrait of light. We used what we call a “pop and drag” technique, combining a long ambient exposure with an instantaneous burst of strobe light, a blending of sorts, pure magic
© Glenn Steiner Photography 1977 (http://glennsteiner.com)

Many annual report covers were in truth complex design solutions. In this case, our client West Capital wanted to show ...
08/13/2021

Many annual report covers were in truth complex design solutions. In this case, our client West Capital wanted to show their nascent computer prowess in meeting their corporate goals.
For this trick, I layered in a shot of a computer screen and then double exposed a woman’s face on a single sheet of 4x5 large format Ektachrome. This was our studio speciality as less than 3% of the world’s photo studios could accomplish this on assignment. We shot this at our San Diego Photography studio for Robert Mott Design and West Capital.
© Glenn Steiner Photography 1991 (http://glennsteiner.com)

Commercial industrial shoots often took me through many corridors of the high technology industry in Silicon Valley, lik...
08/11/2021

Commercial industrial shoots often took me through many corridors of the high technology industry in Silicon Valley, like this two day shoot for Micro-Automation, an illustration of their wafer cutting wheels. As shot with Kodachrome 64.
Seamless backgrounds and gelled lights were often used to simplify backgrounds and focus the attention to the workers and the company products.
© Glenn Steiner Photography 1982 (http://glennsteiner.com)

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220 Ridgeway Avenue
Fairfax, CA
94930

Telephone

+14154592001

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