Joel Pickford Photography

Joel Pickford Photography This page is dedicated to sharing my photographic work in progress.

I’m testing a second-hand 24mm tilt-shift lens, using my family room as a guinea pig. It’s nice to have a room like this...
01/09/2026

I’m testing a second-hand 24mm tilt-shift lens, using my family room as a guinea pig. It’s nice to have a room like this whenever I need to test a wide-angle lens; I don’t even have to go outside.

The second, black & white photograph was made with a 17mm tilt-shift lens during the COVID Pandemic of 2020. That year, I stayed home and only photographed on my own property. You can see the portfolio here:
https://joelpickford.com/shelter-2020-a-covid-19-project

And you can see more of my architectural photography here:
https://joelpickford.com/architecture-and-artifacts

Hmong Photographic History and Culture Archive Receives Measure P Arts GrantI am pleased to announce the EAAC grant and ...
12/02/2025

Hmong Photographic History and Culture Archive Receives Measure P Arts Grant
I am pleased to announce the EAAC grant and launch of this long awaited project in partnership with the Fresno Historical Society.
Between 2004 and 2012, I captured more than 52,000 digital photographs of the Hmong Diaspora in Central California and the homeland of northern Laos.
Subjects ranged from refugees arriving at the airport to shamanic ceremonies, weddings, funerals, farming, Hmong politicians, protest rallies, traditional village architecture, the lingering impact of American bombing in Laos and the Hmong American cultural fusion.
The resulting book, ‘Soul Calling: A Photographic Journey Through the Hmong Diaspora’ (Heyday 2012), and two museum shows used only a tiny fraction of these images- about 200. Most of the stories captured in 130 subject folders have gone untold- until now.
Over the next three years, some 1,500 to 2,000 selected images with detailed captions and search keywords will be uploaded to a groundbreaking online archive on the Fresno Historical Society’s servers. Longer narrative texts will be added to each of the original subject folders.
Until now, most collections of historic photography archived at libraries and museums have included little contextual information. It was up to researchers to triangulate other data and make educated guesses about dates, locations and the identities of people in the photographs.
That paradigm was shattered in 2007, when I was introduced to the concept of creating collections. Rather than waiting for a photographer to die and bequeath boxes of negatives, a museum or library could proactively commission living photographers to upload documentary work along with descriptive captions and first person narratives. This initial Measure P grant opens the door to making that dream a reality.
While we are building the archive as a tool for scholars and teachers, the target audience also includes future generations of Hmong families who allowed us to document their lives during a traumatic period of exodus and resettlement. Their unborn descendants will one day log on to the archive to see what their ancestors lives were like during that tumultuous time.
21 years have now passed since the fieldwork began. Our team will revisit and re-photograph selected families to capture the changes that have occurred during that interval. For example, many of the children we photographed 21 years ago have now graduated from college and will be able to catch us up on their families’ lives through the lens of an American education. In 2004, most of the new arrival refugees we met spoke no English. But today even many of the parents communicate easily.
We look forward to meeting them again and introducing them to you.

Kenyan Portraits, 1991-1992
10/31/2025

Kenyan Portraits, 1991-1992

Shopkeeper and WWII Veteran, Kenya 1991
10/24/2025

Shopkeeper and WWII Veteran, Kenya 1991

Hilltop View, Kenya 1992During a two-month working trip to Kenya I learned to drive an old left-handed, four-wheel-drive...
10/20/2025

Hilltop View, Kenya 1992

During a two-month working trip to Kenya I learned to drive an old left-handed, four-wheel-drive Range Rover and a newer Mitsubishi Pajero. Getting to the Cherangani Hills involved driving up the steepest, scariest set of switchbacks I have ever seen. Fortunately it was the short rains season so the track was fairly dry. Occasionally we had to stop and move a fallen tree out of the way. It was even scarier coming back down the mountain in the lowest gear as we headed back to our home in Nairobi.

Cherangani Hills PortraitIn January 1992, a colleague and I backpacked through the Cherangani Hills of northeastern Keny...
10/15/2025

Cherangani Hills Portrait

In January 1992, a colleague and I backpacked through the Cherangani Hills of northeastern Kenya at an altitude of about 11,000 feet. The first night we camped in small valley, where a half dozen lively and curious children descended upon us. They were fascinated by everything we did. As we pitched our tent, each kid took a turn going inside for a look and then reported excitedly to the others in their language. It was as if we had landed from outer space.

The next morning the kids returned. Using hand signals, they beckoned us to follow them to the top of a nearby plateau where they lived with their family, raising livestock and growing subsistence crops. By invitation, we camped on their fenced-in land and shared a meal, spending more than 24 hours together. A spontaneous portrait of the eldest daughter was the best frame from several rolls of 35mm film I exposed during our unforgettable visit with this kind and hospitable family.

Now, some 34 years later, I finally have all the resources in place to make high quality prints from these difficult Kenya negatives, which were overdeveloped by a lab in Canada. I’ve been working on this portfolio for more than a month now, my thoughts constantly consumed with memories of the people in the portraits and curiosity about the paths their lives have taken since I photographed them. I’ll be posting more of these portraits in the weeks to come.

One day I hope to return to the Cherangani Hills with a stack of prints and meet the kids in the photographs, now 34 years older, along with their families.

New Film Scanning Camera!It took me a almost year of testing to find a lens good enough to take full advantage of this c...
09/06/2025

New Film Scanning Camera!

It took me a almost year of testing to find a lens good enough to take full advantage of this camera’s large 102 MP sensor. Once I found the lens, I had to find a way to mount and focus it, since it was not built for this camera.

Now I can capture a 30”x40” print file with a single exposure. No more stitching multiple smaller files together only to find that my alignment wasn’t perfect and having to start over. I also discovered how poor my previous lens was when I ran comparison tests.

The first project is to scan a portfolio of 35mm black & white film portraits made in Kenya from 1991-1992. These negatives were shot under very contrasty lighting conditions and then overdeveloped by a lab in Canada, where I lived at the time. They are extremely difficult to print in a darkroom. But my new scan camera easily captures a full range of tonal detail from the deepest shadows to the most blocked up highlights.

For years, the only prints I had of the Kenya portraits were done by me in a Canadian rental darkroom using quick-processing, plastic-based photo paper. Soon I’ll be making exhibition quality prints of these images for the first time since they were photographed 34 years ago.

The Rodenstock Digaron HR 105mm lens is probably the world’s best for closeup flat object photography. It features a floating element that you adjust manually for the film size that you are capturing. A printed scale helps you determine how to set the floating element (see the last photo).

The mounting and focusing problem was solved when Cambo recently introduced a focusing mount and extension tubes for the GFX camera. I had spent a year trying to figure out how I could cobble together a series of adaptors to make it work. Then Cambo finally rolled out a series of products for the Fuji GFX camera, including a small view camera. But this simple, tubular solution is more stable and easier to align.

The Majestic Theater, built in 1928 and now abandoned, East St. Louis, Illinois. While it lasts, this is a superb exampl...
07/09/2025

The Majestic Theater, built in 1928 and now abandoned, East St. Louis, Illinois. While it lasts, this is a superb example of Spanish Gothic architecture of the 1920s and 1930s.

Stone Path printed by Jon ConeYears ago, Jon Cone asked me if he could use this image for an upcoming trade show. I sent...
06/14/2025

Stone Path printed by Jon Cone

Years ago, Jon Cone asked me if he could use this image for an upcoming trade show. I sent him a file and forgot all about it.
A few weeks later, I received an unexpected FedEx package. Jon had printed the Stone Path in every possible iteration of his Piezography process and sent me a portfolio box containing some 20 stunning black and white prints. There were warm tone prints, neutral tone prints, split-tone prints, special ink blends, matte papers, gloss papers, and even a gelatin silver darkroom print made from a digital negative!

My personal favorite is Special Edition inks on Photo Rag paper. This is a custom blend of several different warm and neutral tone inks.

For those who may not be familiar with Piezography, it is a printmaking process invented by Jon Cone that uses pure pigment monochrome inks to create black and white exhibition prints of singular beauty. Piezography prints have the long scale of a platinum print and the bold impact of a silver print.
Jon is one of photography’s great innovators of recent decades. You can learn more about his work at two websites:

Cone Editions Press
https://www.cone-editions.com/piezography
Inkjet Mall
https://shop.inkjetmall.com/about-piezography

Pilgrimage to Japan, a new print portfolioAlthough I sold some of these individual prints along the way, I have never pr...
06/07/2025

Pilgrimage to Japan, a new print portfolio

Although I sold some of these individual prints along the way, I have never printed the entire portfolio until now. You can see all of the images here:
https://joelpickford.com/japan-meditations

I have been influenced by Japanese culture all of my life. As a child of six or seven I learned to compose Haiku, fold origami and paint with sumi-e ink on rice paper. I saw the film “Rashomon” and had it explained to me by an adult. Later I discovered more films by Akira Kurosawa and next generation director, Shohei Imamura. I continued to be influenced by other Japanese artforms like shakuhachi flute music, Edo Period woodblock prints, the wanderings of Basho and even trashy Japanese noir novels of the 1980s and 1990s. Eventually I found my way to the westernized Zen teachings of Soyen Shaku and D.T. Suzuki through the work of midcentury American painters, composers, and beat poets.

My first visit to Japan was the realization of a longtime ambition. It challenged me to apply all that I had learned about composition and being in the moment to photographing the visual world created by the Japanese. I decided to explore two poles of their culture: its ultra modernism and its reverence for tradition. My pilgrimage took me from recently-built skyscrapers in Tokyo to the ancient gardens and temples of Kawagoe and Kyoto. I was fortunate to be introduced to the family of a Zen priest and stayed at their temple.

The Sterrick Building (1929-1986), Memphis, TNWhen The 365-foot Sterrick Building opened in 1929 it was the tallest skys...
02/24/2025

The Sterrick Building (1929-1986), Memphis, TN

When The 365-foot Sterrick Building opened in 1929 it was the tallest skyscraper in the American South, a title it held until 1957. During the 1950s and 60s, Elvis Presley and Johnny Cash each had offices there. Elvis’s Leopard skin wallpaper still hangs in the bathroom that was part of his suite.

During the 1970s, occupancy declined as Memphis and many other southern downtowns hollowed out in the wake of the Great Migration. The Sterrick was added to the the National Register of Historic Places in 1978 but that wasn’t enough to save it; the doors closed for good in 1986.

I spent a very long day trudging up and down unlit stairwells through layers of pigeon s**t, exploring the Sterrick’s 29 floors, its parapets and turrets. I was tempted to burn my clothing afterward. I saved most of the exterior photography for the following day.

I used tilt-shift lenses, HDR merge, focus stacking and other techniques to translate my old large format film workflow into the digital realm.

Thanks to Stuart Harris for giving me access to the building.

Robert Johnson - First RecordingsDuring Thanksgiving week 1936, Robert Johnson spent several days recording at the Gunte...
11/27/2024

Robert Johnson - First Recordings

During Thanksgiving week 1936, Robert Johnson spent several days recording at the Gunter Hotel in San Antonio. Though lacking previous recording experience, he showed himself to be adept at tailoring his songs to last between 2’:30” and 3’:00," while delivering astonishing performances that still resonate with millions of fans worldwide.

I stayed a night in suite 413-414, where the magic happened. In 1936, the producer and engineer set up their equipment in 413 and ran cables in to the larger room 414 where the musicians performed. Here, Johnson laid down his first 16 songs, including popular numbers like Terraplane Blues, Sweet Home Chicago and Cross Road Blues.

The best part of my stay at the Gunter was listening to these recordings in the room where they were made. It was a powerful, almost paranormal experience. If you ever get the chance to hear historic music played back in the room where it was recorded, don’t miss it for any reason.

I’d never had a favorite Robert Johnson song before, but that afternoon I found one: Preachin’ Blues (Up Jumped the Devil). The powerful lyrics coupled with the sheer intensity of Johnson’s guitar and vocals won me over.

Mmmmm mmmmm
Got up this mornin', the blues walkin' like a man
Got up this mornin', the blues walkin' like a man
Worried blues say give me your right hand

The b-l-u-e-s!
is a achin' old heart disease
The b-l-u-e-s!
is a low-down achin' heart disease
Like consumption, killing me by degrees

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930 E. Sierra Madre Avenue
Fresno, CA
93704

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