09/08/2026
After I posted some of my favorite portrait images on my personal page, I got several requests to do the same with some of my favorite Dance Portrait images. So I thought, why not?
And I figured I’d start with a photo of my very first Studio Dance Rep, Anna.
This image was taken during a shoot in 2020. Anna and I had already been working together for about four years, and this was our last shoot together before she headed off to New York for her next chapter. I learned so much through working with Anna, and I honestly couldn't have asked for a better dancer to help me get started in Dance Portraiture. Such an amazing artist that has gone on to do such great things. And she is only getting started.
For this particular session, we were in the Arts District in downtown Dallas. We had been moving around and working with several different backdrops when I noticed this really clean, white wall. I've gone back to that wall several times since because it creates such a simple setting. There’s really nothing competing for your attention. The dancer is the entire picture.
But what I remember most about this part of the shoot isn't actually the wall or even the final image. It's something Anna taught me about persistence.
She had a very specific vision in her head of what she wanted this shot to look like. And this is one of those things that, unless you've actually done something like this, you probably don't realize what goes into getting a single image.
This shot took somewhere around 20–25 attempts.
And every single one of those attempts meant Anna going full out.
When I say dancers are athletes, this is a big part of what I mean. The conditioning it takes to repeatedly throw yourself into a jump, land, reset, and then do it again — while making tiny adjustments each time to get closer to the image in your head — is pretty amazing to watch.
There are so many little things happening in the process. Technique. Hands. Feet. Hair. Body position. Your relationship to the camera. Composition. Timing. And probably a hundred other things that all have to come together in a split second for the image to work.
On this day, Anna gave me a front-row seat to what drives dancers to keep working until they get a move, a leap, or a performance exactly where they want it.
Drive. Dedication. Persistence.
And maybe that's one of the things I love most about Dance Portraiture. I'm not just photographing a dancer doing something beautiful. I'm getting to see the work, determination and athleticism that goes into making that moment look effortless.
Anna taught me a lot over those four years. And this image is one of the reasons I still think about those lessons today.