04/29/2026
I have always photographed more than what I need in the moment.
When I travel, I shoot landscapes, textures, skies, water, architecture, stone, interiors, and environments because I never know when those images may become part of a future idea. My image archive spans several terabytes, and a lot of it becomes source material for creative work later on.
Before AI, I would use those photographs as compositing plates in Photoshop to build a final story. Now, AI has become another tool in that same process.
For this jewelry image, the model, product, styling, lighting direction, and original studio photography were created by me. The background environment was inspired by my own photographs from Diamond Beach, Iceland. AI helped me reinterpret those elements and turn a plain studio image into something more cinematic and story-driven.
I do not see AI as replacing photography. I see it as a new form of compositing, guided by the photographer’s eye, lighting experience, archive, and creative direction.
Ownership matters in this conversation too. When I use AI this way, I am building from my own photographs, concepts, references, and visual direction. The technology helps expand the scene, but the idea and foundation still begin with the artist.
The tool may be new.
The vision still begins with photography.
See more of my work here:
https://www.kenjonesnyc.com