06/05/2026
Jane Evelyn Atwood purchased her first camera in 1976 and moved to Rue des Lombards in Paris. There she began photographing male and female prostitutes in their dimly lit rooms, capturing the time they spent waiting, their moments of joy, and their fatigue. She won the first ever Eugene Smith Grant in 1980 for that body of work. Her early work already contained the essence of her photojournalistic approach, which shows us that to understand a country, one must be willing to step through the looking glass and venture into the shadows.
Atwood does not simply document, she immerses herself in the lives of the people she photographs. In 1987, she followed Jean-Louis, the first person in France with AIDS who agreed to be photographed, accompanying him until the end of his life. At a time paralysed by fear and stigma around the epidemic, Atwood gave a face to those who society tried not to see.
Atwood’s work also documents the lives of women in prison, victims of landmines, and the lives of visually impaired children in many different countries. Atwood has remained unwavering in her commitment to ‘go where she feels she has to be.’ She approaches each setting with sharp insight, sensitivity, respect, and intelligence.
After working in Lebanon, Chad, the United States, Haiti and on numerous other assignments, Atwood has turned her lens to a completely different subject: horses. From the island of Ouessant, off the coast of Brittany, to the Mongolian steppe, she is drawn to their power, their taut muscles, their calm gaze and their majestic, elegant presence.
In medicine, it is now well recognised that spending time with animals, and the sense of closeness they offer to patients, can have real therapeutic effects. After a life spent photographing the excluded and the marginalized, and much of the pain and tragedy in the world, Atwood seems to have found a form of calm in horses in motion, moving freely and shaped by the light.
Jane’s work on the Horses (and some of her other well known photographs) is on exhibit at the La Gacilly Photo Festival from this weekend until October 2026.