Tripeaksimagery

Tripeaksimagery We specialize in producing cinematic and compelling visuals of various forms, such as timelapses, short films and aerial footage.

We are also professional landscape/street photographers who conduct photography trips, workshops and talks! Individually and together, we have created notable timelapse and cinematic films, such as Graphicity, A Beautiful Day, For You I Dance and Wildlife of Singapore. We also sell stock footage (timelapse, hyperlapse, aerial) at Pond5. Buy directly from us and get 20% off. Other than being curiou

s filmmakers, we are also adventurous landscape photographers, and an animal/environmental activist. Our work projects includes corporate videos, cinematic event videos and compelling visual films. If were to ask if they have any style to their works, the answer would simply be, it’s eclectic. Both Wee Han and Charmaine constantly challenge comfortable thinking zones and experiment extensively to pursue fresher perspectives. It is safe to say that their way of capturing visuals changes as they gain different experiences in life.

Some frames from ’s   Experience Zone — action sports was the theme for this event.The Sony a7 V AF truly lived up to it...
18/01/2026

Some frames from ’s Experience Zone — action sports was the theme for this event.

The Sony a7 V AF truly lived up to its reputation: subject detection locked on and tracked effortlessly even through fast, unpredictable movement.

With 30fps blackout-free shooting and Pre-Capture, moments that usually slip by were safely caught. Rolling shutter control was also handled impressively well compared to its predecessors, even in high-speed action scenarios. And one draw is also how efficient it uses the battery, we see up to 30% increase in battery time. A great hybrid camera if you are looking for a camera with Sony's newer functions!

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07/11/2025

FOCUS — it’s what makes or breaks a macro shot. 🔍

In this last part of our macro series, we’re diving into how to get pin-sharp focus on subjects smaller than your fingernail. From full-time DMF to focus stacking, this is where precision meets patience.

Save this one — you’ll want to rewatch before your next macro shoot! Can't wait to see your photos!!

 

31/10/2025

Macro shows us a world we’d never notice with our eyes alone. 👀

We’ve been exploring that tiny world with the new Sony FE 100mm F2.8 Macro GM OSS, and if you are just getting started, here's a few things you need to know!

In Part 2, we will dive into focus — an important part of macro.

At the time of filming, we were probably the only ones in Singapore shooting with the brand-new Sony 100mm f/2.8 G Maste...
30/09/2025

At the time of filming, we were probably the only ones in Singapore shooting with the brand-new Sony 100mm f/2.8 G Master Macro.

A lens that opens up a world beyond what we can see with the naked eye. Swipe through to check out some of our favourite first shots 👀

Will this lens make it into our gear list? Spoiler: YES. After years of asking for a new macro, Sony finally answered — and this one delivers.

Stay tuned: a review is coming soon.
But for now… 👉 Which shot blew your mind most?

📷:

20/08/2025

Hello new friends 👋 We’re the duo behind . We chase quiet places, document nature, and share the beauty we find through photography & film. 🌍✨

This is a little intro to who we are, but more importantly — why we do what we do: thanks for being here, we can’t wait to share our adventures, share our knowledge and grow alongside you in your creative journey. 🥰 Let's connect!

Lenses are a key part of my kit and popping the right one on the camera requires some thought process, scroll through to...
17/02/2025

Lenses are a key part of my kit and popping the right one on the camera requires some thought process, scroll through to learn more!

Also, this is the LAST CALL to submit your photos in Created for Alpha" contest to win a lens! And if you are not a Sony user, you can also win a pair of Sony WF-C700N if you vote!

Scattered rays fall over layers of mountain in North Vietnam, Ha giang. This was completely out of the itinerary. We bro...
12/01/2025

Scattered rays fall over layers of mountain in North Vietnam, Ha giang. This was completely out of the itinerary. We brought a group of friends to North Vietnam for a photography trip, and while travelling to our intended spot, noticed the sky starting to have signs of a possible opening. He made a swift decision to stop the van at another viewpoint and as he would have called it, we had an amazing moment.

When nature is at its best, it's very easy to get a beautiful image. The key is finding when it will be at its best. And there are ways, which we will share a little during our talk on the 18th Jan at CHIJMES. See you all!

09/01/2025

We are but a tiny speck of dust. The diameter of the sun is 109 times wider than Earth's. You know, we see the sun in the sky everyday but because it's light years away, we forget how huge it truly is.

When we think about the universe and its elements and how we form a part of it, it's so hard to truly understand how small we are. And this is why nature, the universe, the system continues to intrigue us, and inspire us everyday.

Thanks to technology, and with a good amount of research we get to capture new perspectives we don't usually see with our bare eyes.

Shot with

Zoom lenses have been a large part of our camera gear, other than being convenient, it offers a lot of potential in the ...
22/12/2024

Zoom lenses have been a large part of our camera gear, other than being convenient, it offers a lot of potential in the shots we create today. Sharing how we maximise it:

1. 𝗭𝗼𝗼𝗺 𝗳𝗼𝗿 𝗖𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗖𝗼𝗻𝘁𝗿𝗼𝗹
A common mistake with using zoom is seeing it as a magnification of the subject size. Adjusting focal length, also adjust the field of view of your background. As you zoom in, the field of view narrows, and can better isolate your subject to create a clean background. You can also use the longer focal length to control the compression of the scene and create more striking compositions.

2. 𝗠𝗼𝗿𝗲 𝗠𝗮𝗴𝗻𝗶𝗳𝗶𝗰𝗮𝘁𝗶𝗼𝗻 = 𝗦𝗵𝗮𝗸𝗲 𝗶𝘀 𝗔𝗺𝗽𝗹𝗶𝗳𝗶𝗲𝗱
As you use a longer focal length, every little shake is amplified. Hence, the old rule of using a shutter speed that is at least 1/focal length speed for less motion blur. For eg, at 200mm, use at least 1/200 if shooting handheld. Of course, this is just a guideline.

3. 𝗡𝗼𝘁 𝗮𝗹𝗹 𝗭𝗼𝗼𝗺𝘀 𝗮𝗿𝗲 𝗰𝗿𝗲𝗮𝘁𝗲𝗱 𝗘𝗾𝘂𝗮𝗹
For some lenses, the aperture gets smaller as you zoom in, you might need to adjust your settings to maintain the same exposure. But for fixed aperture zooms like the 28-70mm f2, it stays throughout, which give you better control over your shots.

4. 𝗛𝗶𝗴𝗵𝗲𝗿 𝗤𝘂𝗮𝗹𝗶𝘁𝘆 𝗟𝗲𝗻𝘀 𝗮𝗹𝗹𝗼𝘄 𝘆𝗼𝘂 𝘁𝗼 𝘀𝗵𝗼𝗼𝘁 𝘄𝗶𝗱𝗲 𝗼𝗽𝗲𝗻
In the past, most lenses perform at its sharpest when the aperture is stopped down (usually 2 stops from wide open), but in recent years, with higher quality lenses like the Sony GM lenses, we find that we are able to shoot at the widest aperture without fearing any image quality loss.

5. 𝗗𝗼𝗻'𝘁 𝗳𝗼𝗿𝗴𝗲𝘁 𝗮𝗯𝗼𝘂𝘁 𝘇𝗼𝗼𝗺𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝘆𝗼𝘂𝗿 𝗯𝗼𝗱𝘆 (𝙨𝙤𝙢𝙚𝙩𝙞𝙢𝙚𝙨)
While zoom lenses give you the flexibility to change framing without moving, don’t forget the power of moving your own body! Getting closer, further, inching up or down can make a big difference in composition and the background. Linking back to Tip 1, consider getting the background you want before moving to get the subject size you envisioned.

Hope these tips help the next time you use a zoom lens!

We were handed the Sony a1 II about a month back. I have to admit straight up that it was not the camera I (or the rest ...
20/11/2024

We were handed the Sony a1 II about a month back. I have to admit straight up that it was not the camera I (or the rest of the world) was expecting so when I opened up the box, the next thing I had to do was pick my jaw up from the floor.

Right off the bat, the very first obvious difference/upgrade is the fully articulating LCD. Every single a1 user will know how painful it is to use the LCD vertically whilst near ground level so this to me was the external upgrade the camera needed. One minor note is that the buttons are now like that of the a9iii, very much more tactile and positive to the touch.

3 other important features has made this camera a stand out from the a1. Focus stacking, bulb timer and pre-capture. The first two were the features I use on a regular basis for my landscape work and as I was pushing the camera hard in the Swiss Alps, I was thinking back of just a few months ago where I had to travel with an a1 for action and an a7RV for landscape work. It's now an all-in-one.

Are there any cons to this camera? Not that I know of yet. Whether it was stalking the Iberian Ibexes in Spain or photographing the Milky Way in Switzerland, I have had zero issues. AF is top notch and image quality has been superb. 50MP is more than enough for largish crops and if you need more megapixels, the a7RV may be your choice. Require more than 30fps? Then you are in that specialized arena where the a9iii rules.

The a1 II was never meant to infiltrate the 60fps/120fps field or be the highest resolution body within the Sony lineup but rather as a top-of-the-line camera that does everything perfectly well.

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